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Antipolo by Fernando Amorsolo, depicting Filipinos celebrating the annual pilgrimage to Antipolo, with the pre-War cathedral depicted in the background.. After graduating from the University of the Philippines, Amorsolo worked as a draftsman for the Bureau of Public Works as a chief artist at the Pacific Commercial Company and as a part-time instructor at the University of the Philippines. [7]
The second floor is a gallery of over 1,000 art treasures, featuring the paintings and sketches of national artists Juan Luna, Felix Resurrecion Hidalgo, Fernando Amorsolo, Ang Kiukok, Vicente Manansala, Hernando R. Ocampo, and BenCab.
Pioneers of Philippine Art showcases the 100 years of Philippine art from the late 19th century to the 20th century in the works of three famous Filipino artists namely Juan Luna, Fernando Amorsolo and Fernando Zobel. [19] Paintings of Amorsolo includes Palay Maiden (1920), Maiden with Lanzones (1924), Maiden in a Flower Garden (1948), Portrait ...
The logo used various elements such as a cross, a ship, the sun, a rosary. The logo depicts a ship with a cross as its mast with the central figure derived from First Baptism in the Philippines painting of Fernando Amorsolo. [9] The logo was designed by Edilberto Dionio, a theology student. [10]
Don Fabián de la Rosa y Cueto (May 5, 1869 – December 14, 1937) was a Filipino painter. He was the uncle and mentor to the Philippines' national artist in painting, Fernando Amorsolo, and to his brother Pablo. [1]
Fabián de la Rosa, the mentor and uncle of Fernando Amorsolo and his brother Pablo Amorsolo (1898–1945) had his own technique of painting women. De la Rosa painted a group of Women Working in a Rice Field in 1902 and his portrait of a Young Filipina in 1928. Pablo Amorsolo himself painted his own rendition of a female Fruit Vendor (undated).
The detail of Fernando Amorsolo's The Making of the Philippine flag depicting Agoncillo and company's manual sewing After the signing of the Pact of Biak-na-Bato on December 14, 1897, General Emilio Aguinaldo visited the Agoncillo residence in Hong Kong after their voluntary exile. [ 22 ]
This work is the sum total of all the other pieces included in the show. They are a far cry from the works of the first Philippine national artist and most popular painter Fernando Amorsolo and the other classicists who painted bright cheery scenes of flawless Filipinos and their idealized daily routines. Edades, on the other hand, presented ...