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Inferno (Italian: [iɱˈfɛrno]; Italian for 'Hell') is the first part of Italian writer Dante Alighieri's 14th-century narrative poem The Divine Comedy, followed by Purgatorio and Paradiso.
Inferno depicts a vision of hell divided into nine concentric circles, each home to souls guilty of a particular class of sin. [3] Led by his guide, the Roman poet Virgil, Dante enters the first circle of hell in Inferno 's Canto IV. The first circle is Limbo, the resting place of souls who "never sinned" but whose "merit falls far short". [4]
Dante gazes at Mount Purgatory in an allegorical portrait by Agnolo Bronzino, painted c. 1530. The Divine Comedy is composed of 14,233 lines that are divided into three cantiche (singular cantica) – Inferno (), Purgatorio (), and Paradiso () – each consisting of 33 cantos (Italian plural canti).
Inferno X, with just Dante (in red) and Virgil (in blue) coloured. Each page of the manuscript was approximately 32 cm high by 47 cm wide. Since the text of each canto was written on a single page and the accompanying illustration was on a separate page, arranging the two pages in a horizontal format would have been impractical as it would be ...
A complete listing and criticism of all English translations of at least one of the three cantiche (parts) was made by Cunningham in 1966. [12] The table below summarises Cunningham's data with additions between 1966 and the present, many of which are taken from the Dante Society of America's yearly North American bibliography [13] and Società Dantesca Italiana [] 's international ...
Dante's Inferno: An Animated Epic is a direct-to-DVD animated film released on February 9, 2010. The film is also a spin-off from Dante's Inferno. [citation needed] The video game Ultrakill is partially inspired by Dante's Inferno, with the games setting being a Hell divided into distinct layers like in the Divine Comedy. Though some layers ...
In the sixth book of Virgil's Aeneid (one of the principal influences on Dante in his depiction of Hell), the hero Aeneas enters the "desolate halls and vacant realm of Dis". [4] His guide, the Sibyl, corresponds in The Divine Comedy to Virgil, the guide of "Dante" as the speaker of the poem.
Cerberus in the third circle of hell, as depicted by William Blake. The presence of Cerberus in the third circle of hell is another instance of an ancient Greek mythological figure adapted and intensified by Dante; as with Charon and Minos in previous cantos, Cerberus is a figure associated with the Greek underworld in the works of Virgil and Ovid who has been repurposed for its appearance in ...
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