Search results
Results from the WOW.Com Content Network
An arpeggio (Italian: [arˈpeddʒo]) is a type of broken chord in which the notes that compose a chord are individually sounded in a progressive rising or descending order. Arpeggios on keyboard instruments may be called rolled chords .
arpeggio, arpeggiato played like a harp (i.e. the notes of the chords are to be played quickly one after another instead of simultaneously); in music for piano, this is sometimes a solution in playing a wide-ranging chord whose notes cannot be played otherwise; arpeggios are frequently used as an accompaniment; see also broken chord articulato
Arpeggio: harp-like: A chord with the notes spread out in time (rather than sounded simultaneously) Basso continuo: continuous bass: Continuous bass accompaniment by chordal instrument(s) and bass instrument(s) (see Figured bass.) A bocca chiusa: in closed mouth: Wordless humming in a choral piece Chiuso: closed: Calls for a horn to be muted by ...
An example is the bassline to "A Night in Tunisia". outside. In jazz, to improvise in an "outside" manner means to play solo arpeggios and scales that are harmonically distant from the chord being played by the rhythm section and which are thus more dissonant-sounding.
The chord-scale system may be compared with other common methods of improvisation, first, the older traditional chord tone/chord arpeggio method, and where one scale on one root note is used throughout all chords in a progression (for example the blues scale on A for all chords of the blues progression: A 7 E 7 D 7).
Arpeggios teach how to play broken chords over larger intervals. Many of these components of music are found in compositions, for example, a scale is a very common element of classical and romantic era compositions. [citation needed] Heinrich Schenker argued that musical technique's "most striking and distinctive characteristic" is repetition. [86]
Get AOL Mail for FREE! Manage your email like never before with travel, photo & document views. Personalize your inbox with themes & tabs. You've Got Mail!
It entails moving from the third of a dominant chord, to the flat nine of a dominant chord, by skipping directly to the ninth, or by a diminished arpeggio (ascending: 3rd, 5th 7th, ♭ 9th). The chord often resolves to a major chord a perfect fourth away. For example, the third of a G7 chord is B, while the flat ninth is A ♭.