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  2. Portal:Visual arts - Wikipedia

    en.wikipedia.org/wiki/Portal:Visual_arts

    Art schools made a distinction between the fine arts and the crafts, maintaining that a craftsperson could not be considered a practitioner of the arts. The increasing tendency to privilege painting, and to a lesser degree sculpture, above other arts has been a feature of Western art as well as East Asian art.

  3. Ceramic art - Wikipedia

    en.wikipedia.org/wiki/Ceramic_art

    As one of the plastic arts, ceramic art is a visual art. While some ceramics are considered fine art, such as pottery or sculpture, most are considered to be decorative, industrial or applied art objects. Ceramic art can be created by one person or by a group, in a pottery or a ceramic factory with a group designing and manufacturing the ...

  4. Applied arts - Wikipedia

    en.wikipedia.org/wiki/Applied_arts

    Applied arts largely overlap with decorative arts, and the modern making of applied art is usually called design. Examples of applied arts are: Industrial design – mass-produced objects. Sculpture – also counted as a fine art. Architecture – also counted as a fine art. Crafts – also counted as a fine art. Ceramic art; Automotive design ...

  5. Category:Ceramic art - Wikipedia

    en.wikipedia.org/wiki/Category:Ceramic_art

    Ceramic sculptures (4 C, 19 P) T. Terracotta (3 C, 75 P) ... Pages in category "Ceramic art" The following 46 pages are in this category, out of 46 total.

  6. Kenneth Price - Wikipedia

    en.wikipedia.org/wiki/Kenneth_Price

    Kenneth Price (February 16, 1935 – February 24, 2012) was an American artist who predominantly created ceramic sculpture. He studied at the Chouinard Art Institute and Otis Art Institute (now Otis College of Art and Design) in Los Angeles, before receiving his BFA degree from the University of Southern California in 1956.

  7. Robert Arneson - Wikipedia

    en.wikipedia.org/wiki/Robert_Arneson

    35 Year Portrait, a double-sided self-portrait sculpture on display at the Smithsonian American Art Museum. During the start of the 1960s, Arneson and several other California artists began to abandon the traditional manufacture of functional ceramic objects and instead began to make nonfunctional sculptures that made confrontational statements.

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