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An unfurling silver fern frond Koru kōwhaiwhai patterns on a rafter from the Ngāti Maru wharenui Hotunui The koru flag. The koru (Māori for 'loop or coil') [1] is a spiral shape evoking a newly unfurling frond from a silver fern frond. [2] It is an integral symbol in Māori art, carving and tattooing, where it symbolises new life, growth ...
Some of the names of tukutuku patterns are: [3] poutama – a stepped pattern, said to represent whakapapa, learning and the ascent of the god Tāne-o-te-wānanga into the heavens to attain superior knowledge and religion. [8] [9] roimata toroa – meaning "albatross tears", formed with vertical stitches and said to represent misfortune and ...
The poutama is a stepped design signifying the growth of man, striving ever upwards. Tahekeheke (striped) designs refer to any distinct vertical patterning. The whetū (stars), purapura whetū (weaving pattern of stars) or roimata (teardrop) pattern is a geometric design using two colours and alternating between them at every stitch.
Kete may be of many sizes but are most often found in sizes similar to large handbags. They can be used to carry a variety of things, including food. [2] Specialized kete were woven for each item that needed storage, resulting in dozens of specialized styles. [5]
As a result, today, many Māori have made an attempt to resurge traditional patterns and carvings within mainstream art through programs like the Māori Arts and Crafts Institute. [5] They have made it their mission to preserve traditional toi whakairo, and have opened various programs and classes to pass their traditions to younger generations.
Painting by Gottfried Lindauer of a moko being carved into a man's face by a tohunga-tā-moko (tattooist) A collection of kōrere (feeding funnels). Historically the skin was carved by uhi [6] (chisels), rather than punctured as in common contemporary tattooing; this left the skin with grooves rather than a smooth surface.
The English and Maori versions of the treaty contain key differences, complicating its application and interpretation, some observers say. To address this, over the last 50 years, lawmakers ...
Designs on carvings depict tribal ancestors, and are often important for establishing iwi and hapu identity. [ 2 ] After European contact, many traditionally carved items were no longer widely produced in favour of using Western counterparts, such as waka huia treasure containers being replaced with lockable seaman's chests by the 1840s. [ 3 ]