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Frankenstein is a 1931 American gothic pre-Code science fiction horror film directed by James Whale, produced by Carl Laemmle Jr., and adapted from a 1927 play by Peggy Webling, which in turn was based on Mary Shelley's 1818 novel Frankenstein; or, The Modern Prometheus.
After having its release delayed by nine months, allegedly so the American films Dracula (1931) and Frankenstein (1931) could be released first, [7] Vampyr was released in Germany, where it opened to a generally negative reception from both audiences and critics. Dreyer edited the film after its German premiere, and it opened to more mixed ...
Dwight Iliff Frye (born Fry; February 22, 1899 – November 7, 1943) was an American character actor of stage and screen. He is best known for his portrayals of neurotic, murderous villains in several classic Universal horror films, such as Renfield in Dracula (1931) and Fritz in Frankenstein (1931).
Margaret Webling (1 January 1871 – 27 June 1949) was a British playwright, novelist and poet. Her 1927 play version of Mary Shelley's 1818 novel Frankenstein; or, The Modern Prometheus is notable for naming the creature "Frankenstein" after its creator, and for being the inspiration of the classic 1931 film directed by James Whale.
Similar to the 1931 Universal adaptation of the character, Professor Waldman is aware of Frankenstein’s reanimation experiments and firmly objects to them. In the 2007 film Frankenstein , Andrew Waldman (portrayed by Neil Pearson ) is the friend and colleague of Victoria Frankenstein who helps to oversee the Universal Xenograft Project that ...
A depiction of the malformed Igor. Igor, or sometimes Ygor, is a stock character, a sometimes hunch-backed laboratory assistant to many types of Gothic villains or as a fiendish character who assists only himself, the latter most prominently portrayed by Bela Lugosi in Son of Frankenstein (1939) and The Ghost of Frankenstein (1942).
Prior to the release of Dracula (1931), historian Gary Don Rhodes explained that the idea of the horror film did not exist yet as a codified genre and although critics have used the term "horror" to describe films in reviews prior to Dracula ' s release, the term has not truly developed by this time as the genre's name. [3]
Balderston's play of Dracula formed the basis of the 1931 film version starring Lugosi, made by Universal Pictures. Universal then bought his American adaptation of Peggy Webling's 1927 play Frankenstein, and used it as the basis for the film Frankenstein (also 1931). Universal hired him to adapt a story on Cagliostro in The Mummy (1932).