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Jerry Silverman in his book The Undying Flame: Ballads and Songs of the Holocaust writes that "we can be [similarly] enthralled by the passionate lyrics and haunting melody of "Asma Asmaton"" and "[Kambanellis] also wrote a cycle of four poems based on episodes in his book, which were lovingly set to music by Mikis Theodorakis". [19]
But the haunting melodies of John's greatest hits from this era, like that ode to Marilyn Monroe — which John and his songwriting partner, lyricist Bernie Taupin, turned into an ode to Princess ...
[8] [34] Metal Goddesses wrote, "Melissa VanFleet is an alternative metal vocalist and songwriter crafting dark songs with haunting melodies and intense messages. She has powerfully and effectively established her own unique sound by presenting her signature vocal prowess at the forefront while incorporating her classical and orchestral ...
Cain said "this [song's] for Lee and Maren" – referring to the characters played by Timothée Chalamet and Taylor Russell in the film. [3] Rain Magazine described "Famous Last Words (An Ode to Eaters)" as "a powerful narrative of escape and entrapment", and Cain "weaves raw emotions into her haunting melodies". [4]
Accompanying the haunting melodies of "Voices," pushed further by a vocal structure led by Jerry Cantrell, comes an equally haunting music video. Alice in Chains performed the song in a room illuminated by chandeliers and wayward light bulbs while on the outside, the lyrics sung by Cantrell and William DuVall occupy a somewhat bleak cityscape ...
The song "Phantom Limb" premiered on radio through Seattle station KISW on March 25, 2013. [46] The third single, "Voices", premiered on USA Today website on July 26, 2013, and was released to radio stations on July 29, 2013. [47] It peaked at No. 3 on Billboard's Mainstream Rock Tracks and stayed on the chart for 20 weeks. [15]
[7] SingersRoom critic Erica Henderson rated it as Nilsson's best song, saying that "the song's haunting melody and heartbreaking lyrics about lost love have made it a timeless classic" and that "Nilsson’s rendition features soaring vocals, soaring strings, and a melancholic piano that perfectly complement the song’s mournful tone." [23]
The song was published in 1950 by the Peter Maurice Music Publishing Co. Farrelly’s "Isle of Innisfree" is a haunting melody with lyrics expressing the longing of an Irish emigrant for his native land. When film director John Ford heard the song, he loved it so much that he chose it as the principal theme of his film The Quiet Man. [1]