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  2. Comping (jazz) - Wikipedia

    en.wikipedia.org/wiki/Comping_(jazz)

    "Charleston" rhythm, simple rhythm commonly used in comping. [1] Play example ⓘ. In jazz, comping (an abbreviation of accompaniment; [2] or possibly from the verb, to "complement") is the chords, rhythms, and countermelodies that keyboard players (piano or organ), guitar players, or drummers use to support a musician's improvised solo or melody lines.

  3. Concerto in E-flat "Dumbarton Oaks" - Wikipedia

    en.wikipedia.org/wiki/Concerto_in_E-flat...

    Concerto in E-flat, inscribed Dumbarton Oaks, 8.v.38 (1937–38) is a chamber concerto by Igor Stravinsky, named for the Dumbarton Oaks estate of Robert Woods Bliss and Mildred Barnes Bliss in Washington, D.C., who commissioned it for their thirtieth wedding anniversary.

  4. Rhythm changes - Wikipedia

    en.wikipedia.org/wiki/Rhythm_changes

    Rhythm changes is a common 32-bar jazz chord progression derived from George Gershwin's "I Got Rhythm". The progression is in AABA form , with each A section based on repetitions of the ubiquitous I–vi–ii–V sequence (or variants such as iii–vi–ii–V), and the B section using a circle of fifths sequence based on III 7 –VI 7 –II 7 ...

  5. Jazz Chants - Wikipedia

    en.wikipedia.org/wiki/Jazz_Chants

    So Jazz Chants is the technique to practice the English utterances in short jazz beats that is easy to be followed by the students. As we know that the teaching and learning process is a complex phenomenon that involves many components and competencies, including words, mind, and our action.

  6. Ragtime progression - Wikipedia

    en.wikipedia.org/wiki/Ragtime_progression

    The III 7-VI 7-II 7-V 7 (or V 7 /V/V/V–V 7 /V/V–V 7 /V–V 7) leads back to C major (I) but is itself indefinite in key. Ragtime progression's origin in voice leading : II itself is the product of a 5–6 replacement over IV in IV–V–I.

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  8. Turnaround (music) - Wikipedia

    en.wikipedia.org/wiki/Turnaround_(music)

    Sometimes, especially in blues music, musicians will take chords which are normally minor chords and make them major. The most popular example is the I–VI–ii–V–I progression; normally, the vi chord would be a minor chord (or m 7, m 6, m ♭ 6 etc.) but here the major third makes it a secondary dominant leading to ii, i.e. V/ii.

  9. Partido alto - Wikipedia

    en.wikipedia.org/wiki/Partido_alto

    Partido Alto is also the name of a particular rhythm that is derived from the above-mentioned style of samba (especially in a jazz context). The rhythm is often played in samba, and is also the basis for the Partido Alto groove, in which more or all of the instruments accent this rhythm.

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