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Flagellation at the hands of the Romans is mentioned in three of the four canonical Gospels: John 19:1, Mark 15:15, and Matthew 27:26, and was the usual prelude to crucifixion under Roman law. [5] None of the three accounts is more detailed than John's "Then Pilate took Jesus and had him flogged" (NIV).
Édouard Manet, Jesus Mocked by the Soldiers, c. 1865. After his condemnation by Pontius Pilate, Jesus was flogged and mocked by Roman soldiers.They clothed him with a "purple" or "scarlet" (Matthew 27:28) robe symbolizing a royal gown since purple was a royal color, put a crown of thorns on his head symbolizing a royal crown, and put a staff in his hand symbolizing a scepter.
This flogging was the well-known 39 lashes given for transgressions, in the eyes of the sanhedrin, of the Mosaic law. Nolland's belief lends itself to this connection, in that his causative translation of the verb linking councils and synagogues ('councils, and will have you flogged in...') [ 16 ] makes a clearer connection between the action ...
[1] [2] [3] In apocryphal writings, the impenitent thief is given the name Gestas , which first appears in the Gospel of Nicodemus , while his companion is called Dismas. Christian tradition holds that Gestas was on the cross to the left of Jesus and Dismas was on the cross to the right of Jesus.
The northern window depicts Pontius Pilate washing his hands (Matthew 27:24), the central one behind the altar depicts the Flagellation (Mark 15:15, John 19:1), and the southern one the victory of Barabbas (Matthew 27:26, Mark 15:15, Luke 23:24–25). The dome with its mosaic and translucent elements is designed as a crown of thorns.
Jesus abducted for crucifixion: Matthew 27:27–31. Roman soldiers took Jesus into the praetorium. Soldiers undressed Jesus and put a scarlet robe, a crown of thorns and a staff on him. Soldiers knelt in front of Jesus and mocked him saying: 'Hail, king of the Jews!' They spit on him, took the staff and struck his head.
The Flagellation of Christ (probably 1468–1470) is a painting by Piero della Francesca in the Galleria Nazionale delle Marche in Urbino, Italy.Called by one writer an "enigmatic little painting," [1] the composition is complex and unusual, and its iconography has been the subject of widely differing theories.
Mark 15:6-27 in minuscule script on two pages of Minuscule 2445 from the 12th century The Greek text of Mark 15:29–31,33-34 in uncial script on Uncial 0184 from the 6th century Mark 15:36–37,40-41in Greek-Coptic from Uncial 0184 (Vindobonensis Pap. K. 8662; 6th century).