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Kiki is an American-Swedish co-produced documentary film, released in 2016. [1] It takes place in New York City, and focuses on the "drag and voguing scene [and] surveys the lives of LGBT youth of color at a time when Black Lives Matter and trans rights are making front-page headlines". [2]
Kiki Fatmala (14 August 1967 – 1 December 2023) was an Indonesian actress. She became popular after starring as Mariam in the Indosiar 's soap opera Mariam Si Manis Jembatan Ancol 2 in 1995. Personal life
Kiki's Delivery Service (Japanese: 魔女の宅急便, Hepburn: Majo no Takkyūbin, lit. ' Witch's Express Home Delivery ') is a 1989 Japanese animated fantasy film written, produced, and directed by Hayao Miyazaki, based on the 1985 novel of the same name by Eiko Kadono.
Kiki, Love to Love (Spanish: Kiki, el amor se hace) is a 2016 Spanish sex comedy film directed by Paco León. It is a remake of the Australian film The Little Death.
Cat Girl Kiki (猫耳少女キキ, Nekomimi Shōjo Kiki) is a Japanese fantasy comedy drama film directed by Akiyoshi Sugiura [1] and released in 2006 by VAP. [2] It is part of the Akihabara Trilogy of films [3] revolving around the Akihabara cosplay and otaku subcultures. [4] It was distributed in the United States by Asia Pulp Cinema. [5]
Sweet Bean (Japanese: あん, Hepburn: An) [1] [2] is a 2015 Japanese drama film directed by Naomi Kawase. It is the second film, after I Wish, to star real-life grandmother and granddaughter Kirin Kiki and Kyara Uchida. [3] The film was selected to open the Un Certain Regard section at the 2015 Cannes Film Festival.
Kiki is a 1931 American pre-Code romantic comedy, starring Mary Pickford and Reginald Denny, which was directed by Sam Taylor. It was based upon the David Belasco play of the same name. The film is a remake of the 1926 version starring Norma Talmadge .
Kiki ad in The Film Daily, 1926 . Kiki is a 1926 American silent romantic comedy film directed by Clarence Brown and starring Norma Talmadge and Ronald Colman.The film is based upon a 1918 play of the same name by André Picard, which was later adapted by David Belasco and performed on Broadway to great success in 1921 by his muse Lenore Ulric.