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Neil Darrow Strauss (born March 9, 1969), [1] [2] also known by the pen names Style and Chris Powles, is an American author and journalist. His book The Game: Penetrating the Secret Society of Pickup Artists , describes his experiences in the seduction community in an effort to become a " pickup artist ."
To Live and Die in L.A. is an investigative and true crime podcast hosted by American journalist Neil Strauss, and produced by Tenderfoot TV and Cadence13. [1] [2] [3] Season 1 of the podcast follows the disappearance and death of aspiring Albanian Macedonian actress Adea Shabani, who was last seen alive leaving her Hollywood apartment with her boyfriend, Chris Spotz.
The following is a list of notable deaths in December 1999.. Entries for each day are listed alphabetically by surname. A typical entry lists information in the following sequence:
The character Mystery was created by Erik von Markovik in the late 1990s for his performances as a mentalist, titled Natural Magic.He has done magic performances in many places, including Toronto, Las Vegas and Hollywood.
Neil Strauss was quoted in a review by Steven Poole in The Guardian as saying, "A side effect of sarging (socializing with the intent of finding and seducing a woman) is that it can lower one's opinion of the opposite sex", though the reviewer noted, "And yet, as he has described it, the inverse is true: a low opinion of the opposite sex is a prerequisite for sarging."
Emergency: This Book Will Save Your Life (published as Emergency : One Man's Story Of A Dangerous World And How To Stay Alive In It by Canongate) is a 2009 book on survivalist preparedness by Neil Strauss.
In his book The Game, published in 2005, author Neil Strauss describes his experience shadowing Jeffries during Strauss' investigation of the seduction community. [3] He writes that Jeffries acted as the mentor to Mystery and himself. [4] Jeffries is Jewish. [3] [12]
Neil Strauss, co-author of the book. Neil Strauss, a rock critic and reporter for The New York Times, met Marilyn Manson through his work for Spin and Rolling Stone. [5] Strauss initially perceived Manson as a "phony" who had gotten on the gothic rock bandwagon very late; he later came to see Manson as a "really interesting, really intelligent ...