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Pitch scaling is the opposite: the process of changing the pitch without affecting the speed. Pitch shift is pitch scaling implemented in an effects unit and intended for live performance. Pitch control is a simpler process which affects pitch and speed simultaneously by slowing down or speeding up a recording.
Pitch shifters are included in most audio processors today. A harmonizer is a type of pitch shifter that combines the pitch-shifted signal with the original to create a two or more note harmony. The Eventide H910 Harmonizer, [2] released in 1975, was one of the first commercially available pitch-shifters and digital multi-effects units. On ...
The Eltro information rate changer was an analog recording tool for changing pitch without changing speed and vice versa. Patents for the device date from the 1920s. [1] The Eltro was the first machine capable of changing audio pitch (frequency) and speed (time) independently of each other.
The Yak Wakky allowed users to change the pitch and speed of the recording by way of light sensitive sensors on the body of the device. When activated by a switch on the right hand side of the toy, the sensors would, depending on how much light shone on them, increase the pitch of the recording.
A variable speed pitch control (or vari-speed) is a control on an audio device such as a turntable, tape recorder, or CD player that allows the operator to deviate from a standard speed (such as 33, 45 or even 78 rpm on a turntable), resulting in adjustments in pitch. [1]
L'istesso, L'istesso tempo, or Lo stesso tempo – at the same speed; L'istesso is used when the actual speed of the music has not changed, despite apparent signals to the contrary, such as changes in time signature or note length (half notes in 4 4 could change to whole notes in 2 2, and they would all have the same duration) [18] [19]
Pitch correction devices became popular in the late 1990s as a distinctively electronic, vocoder-like voice effect. A notable example of Auto-Tune -based pitch correction is the Cher effect , so named because producer Mark Taylor originated the effect in her 1998 hit song " Believe ". [ 4 ]
Those physical properties and the speed of sound change with ambient conditions. For example, the speed of sound in gases depends on temperature. In 20 °C (68 °F) air at sea level, the speed of sound is approximately 343 m/s (1,230 km/h; 767 mph) using the formula v [m/s] = 331 + 0.6 T [°C] .
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