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Musicians and dancer, Muromachi period Traditional Japanese music is the folk or traditional music of Japan. Japan's Ministry of Education classifies hōgaku (邦楽, lit. ' Japanese music ') as a category separate from other traditional forms of music, such as gagaku (court music) or shōmyō (Buddhist chanting), but most ethnomusicologists view hōgaku, in a broad sense, as the form from ...
In Japan, music includes a wide array of distinct genres, both traditional and modern. The word for "music" in Japanese is 音楽 (ongaku), combining the kanji 音 on (sound) with the kanji 楽 gaku (music, comfort). [1]
Min'yō, traditional Japanese folk song, must be distinguished from what the Japanese call fōku songu, from the English phrase 'folk song'. These are Western-style songs, often guitar-accompanied and generally recently composed, of the type associated with Bob Dylan, Peter, Paul and Mary and the like, and popular in Japan since the 1960s.
Sōran Bushi (ソーラン節) is one of the most famous traditional songs and dance in Japan. It is a sea shanty that is said to have been first sung by the fishermen of Hokkaido. The commonly known version of the song and dance is called Nanchū Sōran (南中ソーラン) and was created in 1991 at the Wakkanai Minami Junior High School.
The melody arranged by Ongaku Torishirabe-gakari was included in Collection of Japanese Koto Music issued in 1888, for beginning koto students in the Tokyo Academy of Music. [4] Often, It is the first piece that koto beginners learn because they can play any phrase by picking closer strings without skipping to distant strings. [2]
Jōruri (浄瑠璃) is a form of traditional Japanese narrative music in which a tayū (太夫) sings to the accompaniment of a shamisen. [1] Jōruri accompanies bunraku, traditional Japanese puppet theater. [2] As a form of storytelling, jōruri emphasizes the lyrics and narration rather than the music itself. [3]
Kouta (小唄, lit. ' little songs ') is a type of traditional Japanese music that originated in the red-light districts of Edo period (1603–1868) Japan, before developing further and experiencing wider popularity in the geisha districts that succeeded many red-light districts.
The first reference to nagauta as shamisen music appears in the second volume of Matsu no ha (1703). [1] By the 18th century, the shamisen had become an established instrument in kabuki, when the basic forms and classifications of nagauta crystallized [1] as a combination of different styles stemming from the music popular during the Edo period.