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Outtakes from several movies, including The Adventures of Robin Hood: For Auld Lang Syne: Himself A short showing celebrities aiding the Will Rogers Memorial Fund 1943 Show Business at War: Himself Louis De Rochemont 1952 Cruise of the Zaca: Himself / narrator Errol Flynn: Technicolor: Deep Sea Fishing: Himself / narrator Errol Flynn Technicolor
In the Wake of the Bounty is available for free viewing and download at the Internet Archive (this is an "abridged" copy) In the Wake of the Bounty at the National Film and Sound Archive [permanent dead link ] In the Wake of the Bounty at Australian Screen Online; In the Wake of the Bounty at Oz Movies; Review of film at Variety
Errol Flynn's life was the subject of the opera Flynn (1977–78) by British composer Judith Bingham. The score is titled: Music-theatre on the life and times of Errol Flynn, in three scenes, three solos, four duets, a mad song and an interlude. [134] The 1981 song "Errol" by Australian surf rock band Australian Crawl is a lyrical biography of ...
The film captures aspects of Flynn's life prior to his achieving fame in Hollywood between the 1930s and the 1950s. The cast includes Thomas Cocquerel, Corey Large, William Moseley, Clive Standen, Callan Mulvey, Isabel Lucas, and Nathalie Kelley. The title of the film is a play on words of Errol Flynn's name and the slang phrase "In like Flynn."
Never Say Goodbye is a 1946 American romantic comedy film directed by James V. Kern and starring Errol Flynn, Eleanor Parker, and Lucile Watson. Produced and distributed by Warner Brothers, it is about a divorced couple and the daughter who works to bring them back together. It was Errol Flynn's first purely comedic role since Footsteps in the ...
Dodge City is a 1939 American Western film directed by Michael Curtiz and starring Errol Flynn, Olivia de Havilland, and Ann Sheridan. [4] [5] Based on a story by Robert Buckner, the film is about a Texas cattle agent who witnesses the brutal lawlessness of Dodge City, Kansas and takes the job of sheriff to clean the town up.
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The New York Times called it Flynn's best swashbuckler since The Sea Hawk. [20] "Flynn himself hasn't been served better in years", wrote the Los Angeles Times. [21] The Washington Post called the film "a chaotic tale deserving of his [Flynn's] undisputed prowess." [22] Filmink magazine wrote that "the story has no real villain and is robbed of ...