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"The Wind Cries Mary" is a rock ballad [1] written by Jimi Hendrix. Hendrix wrote the song as a reconciliatory love song for his girlfriend in London, Kathy Etchingham.More recent biographical material indicated that some of the lyrics appeared in poetry written by Hendrix earlier in his career when he was in Seattle.
The lyrics feature a conversation between a joker and a thief, ... Electric Ladyland (Jimi Hendrix Experience, 1968) [75] Smash Hits (Jimi Hendrix Experience, 1969) ...
"Highway Chile" (/ tʃ aɪ l / CHAIL) is a song by the Jimi Hendrix Experience, issued as the B-side to their 1967 third British single "The Wind Cries Mary". The song was written by vocalist and guitarist Jimi Hendrix and titled to reflect his pronunciation of "child" without the "d" (a spelling subsequently used for "Voodoo Chile").
Hendrix's paternal grandparents, Ross and Nora Hendrix, pre-1912. Hendrix was of African-American and alleged Cherokee descent. [nb 1] His paternal grandfather, Bertran Philander Ross Hendrix, was born in 1866 from an extramarital affair between a woman named Fanny and a grain merchant from either Urbana, Ohio or Illinois, one of the wealthiest men in the area at that time.
Jimi Hendrix (1942–1970) was an American musician who recorded over 170 different songs during his career from 1966 to 1970. Often considered one of the most accomplished and influential electric guitarists, Hendrix wrote most of his own material in a variety of styles. [ 1 ]
"Voodoo Child (Slight Return)" is a song written by Jimi Hendrix and recorded by the Jimi Hendrix Experience in 1968 that appears as the final track on the groups's third studio album, Electric Ladyland, released that year. It contains improvised guitar and a vocal from Hendrix, backed by Noel Redding on bass and Mitch Mitchell on drums. The ...
In the book Jimi Hendrix: Electric Gypsy, Hendrix commentators Harry Shapiro and Caesar Glebbeek propose that "1983..."is "a song of firsts and lasts", describing the music as "Jimi's first piece of major orchestration, using the full capacities of the Record Plant's studio facilities", and contrasting the lyrical content as "the last of Jimi's surreal apocalypses; despairing of mankind, he ...
According to the charts, courtesy of the Centre d'Information et de Documentation du Disque, that U.S. Billboard published in its "Hits of the World" section), the song "C'est la vie Lily" by Joe Dassin reached at least the top 6 in France (in the national [i.e. domestic] singles chart).