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Memento mori (Latin for "remember (that you have) to die") [2] is an artistic or symbolic trope acting as a reminder of the inevitability of death. [2] The concept has its roots in the philosophers of classical antiquity and Christianity , and appeared in funerary art and architecture from the medieval period onwards.
The English language translation is approximately "May the earth rest lightly on you" or "May the ground be light to you"; ... Memento mori; Necropolis; Stele;
memento mori: remember that [you will] die: remember your mortality; medieval Latin based on "memento moriendum esse" in antiquity. [5] memento vivere: remember to live: meminerunt omnia amantes: lovers remember all: memores acti prudentes futuri: mindful of things done, aware of things to come: Thus, both remembering the past and foreseeing ...
A curious translation of the pun on "vivat rex", found in Westerham parish church in Kent, England. vive memor leti: live remembering death: Authored by Persius. Cf. "memento mori". vive ut vivas: live so that you may live: The phrase suggests that one should live life to the fullest and without fear of the possible consequences. vivere est ...
Nietzscheian alternative worldview to that represented through memento mori ("remember you must die"): Nietzsche believed amor fati was more affirmative of life. amor omnibus idem: love is the same for all: From Virgil, Georgics III amor patriae: love of the fatherland: i.e., "love of the nation;" patriotism: amor vincit omnia: love conquers all
The theme of the "Three Living and the Three Dead" is a relatively common form of memento mori in mediaeval art. [1] The earliest manuscript evidence for the story comes from late 13th-century France. [2] A Dit des trois morts et des trois vifs by Baudoin de Condé has been traced back to 1280.
Memento mori (Latin 'remember death'), or contemplation of death, is considered by the Stoics to be one form of negative visualization, since it trains the practitioner of the inevitability of death, whether that of the practitioner, of one's loved ones, or of everyone.
The poet here presents the idea of the young man taking on the role of poet and writing about himself. This sonnet makes use of the rhetorical device termed correlatio, which involves a listing and correlating of significant objects, and which was perhaps overused in English sonnets. The objects here are a mirror, a time piece and a notebook ...