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The formal elements, those aesthetic effects created by design, upon which figurative art is dependent, include line, shape, color, light and dark, mass, volume, texture, and perspective, [2] although these elements of design could also play a role in creating other types of imagery—for instance abstract, or non-representational or non-objective two-dimensional artwork.
The following other wikis use this file: Usage on af.wikipedia.org Omsk; Usage on ceb.wikipedia.org Omsk (kapital sa lalawigan sa Rusya) Usage on de.wikipedia.org
Another alternative to oligoclonal bands for MS diagnosis is the MRZ-reaction (MRZR), a polyspecific antiviral immune response against the viruses of measles, rubella and zoster found in 1992. [ 22 ] In some reports the MRZR showed a lower sensitivity than OCB (70% vs. 100%), but a higher specificity (92% vs. 69%) for MS. [ 22 ]
The Omsk Engine Design Bureau (along OMO named after Baranov) is an aero engine design bureau. It was originally situated in Moscow in the Soviet Union, but was evacuated in 1941. Operations were moved to a "site of farm machinery" . [2] The Bureau returned to Moscow and became independent on 5 July 1947 and was renamed "OKB-20" .
It was renamed the Omsk Military District in 1882, until renamed again Western Siberian Military District in 1918-1919. The Siberian Military District was created in June 1924 with the consolidation of the Western, Central and Eastern Siberian Military Districts, which had become the Imperial Military Districts in the area.
Omsk hemorrhagic fever is caused by Omsk hemorrhagic fever virus (OHFV), a member of the Flavivirus family. The current species name is Orthoflavivirus omskense [4] according to International Committee on Taxonomy of Viruses taxonomy standards. The virus was discovered by Mikhail Chumakov and his colleagues between 1945 and 1947 in Omsk, Russia.
Nueva Figuración (translated New Figuration or Neofiguration) was an artistic movement in Spain and Latin America, specifically Argentina, Mexico, and Venezuela, that embraced a new form of figurative art in response to both abstraction and traditional forms of representation.