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The life of Christ as a narrative cycle in Christian art comprises a number of different subjects showing events from the life of Jesus on Earth. They are distinguished from the many other subjects in art showing the eternal life of Christ, such as Christ in Majesty , and also many types of portrait or devotional subjects without a narrative ...
The original words as published in “The Spiritual Magazine” in August 1761. Jesus Christ the Apple Tree lyrics in an 1897 republication of 1797 printing Jesus Christ the Apple Tree (also known as Apple Tree and, in its early publications, as Christ Compared to an Apple-tree ) is a poem, possibly intended for use as a carol , written in the ...
The sequence of Christ I-III is sometimes known simply as Christ, and has at times been thought to be one poem completed by a single author. Linguistic and stylistic differences indicate, however, that Christ I-III originated as separate compositions (perhaps with Christ II being composed as a bridge between Christ I and Christ III).
This category is for specific works that include depictions of Jesus in the visual arts.For articles covering ways of depicting scenes or types of depictions of Jesus in general, see the sub-category Category:Iconography of Jesus.
God the Father turning the press and the Lamb of God at the chalice. Prayer book of 1515–1520. The image was first used c. 1108 as a typological prefiguration of the crucifixion of Jesus and appears as a paired subordinate image for a Crucifixion, in a painted ceiling in the "small monastery" ("Klein-Comburg", as opposed to the main one) at Comburg.
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Similarly to the Christian poetry by fellow Catholic poet Marko Marulić, who believed that, "pagan myth and poetry gained a certain legitimacy when employed in the service of theology", [2] Devassia's poem is filled with multiple references and comparisons to well known stories about the gods, avatars, and demigods of Hinduism and even to ...