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2. Watts Gallery - Wikipedia

   en.wikipedia.org/wiki/Watts_Gallery

   Following the closure of the De Morgan Centre, London, in the summer of 2014, the Watts Gallery and the De Morgan Foundation, a registered charity [8] preserving the work of William De Morgan and Evelyn De Morgan, entered into a collaboration which saw the opening of a long term exhibition in the Richard Jeffries Gallery in the main gallery building. [9]

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4. Physical Energy (sculpture) - Wikipedia

   en.wikipedia.org/wiki/Physical_Energy_(sculpture)

   Watts said it was a symbol of "that restless physical impulse to seek the still unachieved in the domain of material things". The original plaster maquette is at the Watts Gallery, and there are four full-size bronze casts: one in London, one in Cape Town, one in Harare and one soon to be sited at Watts Gallery - Artists' Village in Compton ...

5. File:Violet, Duchess of Rutland, Self-Portrait,1891 - Watts ...

   en.wikipedia.org/wiki/File:Violet,_Duchess_of...

   You are free: to share – to copy, distribute and transmit the work; to remix – to adapt the work; Under the following conditions: attribution – You must give appropriate credit, provide a link to the license, and indicate if changes were made.

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   AOL Editors curate the Style section to bring you the latest in celebrity fashion, latest style tips, and beauty deals.

7. Richard Jefferies (curator) - Wikipedia

   en.wikipedia.org/wiki/Richard_Jefferies_(curator)

   Richard Jefferies agreed to sit for Jon Edgar for a portrait using local Compton clay quarried from the foundations of the Brickfields pottery of Mary Wondrausch.The portrait was unveiled at the re-opening of the Watts Gallery in June 2011 and forms part of the Compton Triptych [2] unveiled at The Human Clay exhibition, Lewis Elton Gallery, University of Surrey in November 2011.

8. Naomi Watts, 54, Stuns in a Poolside Bikini Photo and Fans ...

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9. After the Deluge (painting) - Wikipedia

   en.wikipedia.org/wiki/After_the_Deluge_(painting)

   In 1904 it was transferred to the newly-opened Watts Gallery in Compton, Surrey, shortly before Watts's death later that year. [1] Two years prior to this, Watts had returned to the theme of creation with The Sower of the Systems , which for the first time in one of his works directly depicted God, and which he described as representing "a ...