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Sparsh (transl. Touch) is a 1980 Indian Hindi feature film directed by Sai Paranjpye.It stars Naseeruddin Shah and Shabana Azmi playing the characters of a visually impaired principal and a sighted teacher in a school for the blind, where they fall in love though soon their complexes tag along and they struggle to get past them to reconnect with the "touch" of love.
10 Ka Dum: 1998–1999 Aadaab Arz Hai [80] 2024 Aapka Apna Zakir [81] 2000 Archana Talkies [82] 2005 Batliwalla House No. 43 [83] 2006–2007 Bigg Boss: 1996–2014 Boogie Woogie: 2013–2014 Boogie Woogie Kids Championship: 2001–2006 Bournvita Quiz Contest: 2014–2015 Box Cricket League: 2008 Bura Na Mano Holi Hai: 2007–2008 Champion ...
Sai Paranjpye (born 19 March 1938) is an Indian movie director and screenwriter. She is the director of the award-winning movies Sparsh, Katha, Chasme Buddoor and Disha.She has written and directed many Marathi plays such as Jaswandi, Sakkhe Shejari, and Albel.
The class or varna in Hindu tradition consisting of merchants, traders, artisans, and landowners. Vamana The fifth Avatara of Vishnu. He is the first Avatar of Vishnu which had a completely human form, although it was that of a dwarf brahmin. Vanaprastha A person who is living in the forest as a hermit after giving up material desires. Varaha
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Sparsh, the Sanskrit word for "touch", may refer to: Sparsh, a 1980 Indian Hindi film; Sparsh (software), a data-transfer program; Sparsh (festival), an annual cultural festival at Sardar Vallabhbhai National Institute of Technology in Surat, India; Sparsh, a 2000 album by Zubeen Garg; Sparsh Khanchandani (born 2000), Indian actress
Somewhere in the middle lay the day to day language spoken by the great majority of people. This day to day language was often referred to by the all-encompassing term Hindustani ." [ 5 ] In Colonial India , Hindi-Urdu acquired vocabulary introduced by Christian missionaries from the Germanic and Romanic languages , e.g. pādrī (Devanagari ...
It is performed in the early afternoon, from 12:00 P.M. to 3:00 P.M. (the third prahar of the day). [4] Use of dhaivat(dha) and rishabh(ray) is symmetrical in that both are approached via the succeeding notes (D from Ṉ, and R from G̱).G̱ is sung with a kaṇ-svara (grace note) of M. Similarly, Ṉ is sung with a kaṇ-svara from S. Vadi ...