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Vicente Amigo – a Spanish flamenco composer and guitarist; Antoñita Singla – a Catalonian flamenco dancer and actress known as "La Singla" who took Spain and Europe by storm in the period 1960–1988. Flamenco zapateado notation – It is the graphic representation of the sonorous and motor aspects of the particular movements of flamenco ...
Sargent's painting Capri (1878) depicts Rosina Ferrara dancing the tarantella, and anticipates the flamenco of El Jaleo. [6] Crystal Bridges Museum of American Art. Almost 12 feet (3.7 m) wide, El Jaleo is broadly painted in a nearly monochromatic palette, but for spots of red at the right and an orange at left, which is reminiscent of the lemons Édouard Manet inserted into several of his ...
Spanish gitanos could only travel to America with the express permission of the king. Philip II decreed in 1570 a ban on the entry of Gypsies into America and ordered the return of those already sent. [31] There is a known case of a Gypsy blacksmith (Jorge Leal) who obtained authorization to travel to Cuba in 1602. [32]
Its origins are uncertain but scholars see many influences in the cante flamenco including: The traditional song of the gitanos (Spanish Gypsies), the Perso-Arab Zyriab song form, the classical Andalusian orchestras of the Islamic Empire, the Jewish synagogue chants, Mozarabic forms such as zarchyas and zambra, Arabic zayal (the foundation for ...
José Greco (né Costanzo Greco; December 23, 1918 – December 31, 2000) was an Italian-born American flamenco dancer and choreographer known for popularizing Spanish dance on the stage and screen in America mostly in the 1950s and 1960s. [1]
Aniya la Gitana (Aniya the Gypsy) was the stage name used by Ana Amaya Molina also known as Anilla la de Ronda (1855-1933). She was a Spanish flamenco guitarist, singer and dancer. She was a Spanish flamenco guitarist, singer and dancer.
Carmen Amaya (2 November 1918 – 19 November 1963) occasionally known by the stage name La Capitana, was a Spanish Romani flamenco dancer and singer, born in the Somorrostro district of Barcelona, Catalonia, Spain. She is often hailed as "the greatest Flamenco dancer ever" [1] and "the most extraordinary personality of all time in flamenco dance."
At the age of seven Juana began dancing in the streets to their accompaniment, hers being a flamenco family. Among Juana's gypsy ancestors was Josefa Vargas, also a bailaora. More distant ancestors were among the earliest flamenco performers known. [3] María Vargas, Juana's sister, was the lesser-known dancer María La Macarrona.
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