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The poem explores the memory of the speaker and their experiences in a faraway city they spent time in as a child. The narrator reminisces about the place through their childhood eyes, although we see conflict between this and their adult perception of her homeland. The narrator pictures in their mind the country or city where (s)he was born. [2]
The 2004 AQA Anthology was a collection of poems and short texts. The anthology was split into several sections covering poems from other cultures, the poetry of Seamus Heaney, [4] Gillian Clarke, Carol Ann Duffy and Simon Armitage, and a bank of pre-1914 poems. There was also a section of prose pieces, which could have been studied in schools ...
In 1938, just days after Kristallnacht, two German Jewish brothers emigrate to Shanghai to escape mounting antisemitism in Germany. One of the brothers, Otto, is a rabbinical student who desires to keep his Jewish traditions.
Throughout the nineteenth century Poland was occupied by the partitioning powers of Poland: Austria, Prussia and Russia.Poles struggled for independence in a series of failed uprisings, which resulted in many having to seek refuge in Western Europe (known as the Wielka Emigracja) in order to avoid reprisals, such as being forcefully sent to the vast and harsh emptiness of Siberia.
Poems of the Imagination (1815–1843); Miscellaneous Poems (1845–) 1798 Her eyes are Wild 1798 Former title: Bore the title of "The Mad Mother" from 1798–1805 "Her eyes are wild, her head is bare," Poems founded on the Affections (1815–20); Poems of the Imagination (1827–32); Poems founded on the Affections (1836–) 1798 Simon Lee 1798
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Diff-Text is a web-based software tool that identifies differences between two blocks of plain text. It operates on a closed-source model and offers a donation or pay-what-you-want payment option. [1] [2] To be compared, text is pasted directly into the web-page.
Bergfelder, Tim & Cargnelli, Christian. Destination London: German-speaking emigrés and British cinema, 1925–1950 (2008).; Bratby, Richard. 'The musical émigrés from Nazi-Europe who shaped postwar Britain', in The Spectator, 18 February, 2023.