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The Score released their debut EP, The Score EP, in 2014, which features earlier songs, "Dancing Shoes" and "Don't Wanna Wake Up".The EP also contained their earlier released covers of "Say Something" and "Holy Grail" as bonus tracks, as well as new songs, "Til The Stars Burn Blue", "Haunted", and "This Beating Heart" and a ScoreSundays acoustic version of "Dancing Shoes".
"The Only One" is a single by the British band The Cure which was released on 13 May 2008 on Geffen Records in the United Kingdom. The single was released in the United States on 20 May 2008. [ 3 ] It is the first single from the band's thirteenth studio album 4:13 Dream (2008).
In his review for AllMusic, James Christopher Monger gave the album 4/5 stars, writing: "The score itself, an appropriately somber and sentimental blend of fairy tale motifs and dark, Wagnerian cues, reflects the story's achingly beautiful tale of a unicorn who attempts to overthrow a maniacal king determined to rid the world of the magical creatures, while the songs are far more creative ...
Only those songs that received an average score of 8.25 or more were eligible for nomination. If no song qualified, there would be no nominees. And if only one song achieved that score, it and the song receiving the next highest score would be the two nominees.
The Score is the second studio album by American hip hop group Fugees, released worldwide on February 13, 1996, by Columbia Records.The album features a wide range of samples and instrumentation, with many aspects of alternative hip-hop that would come to dominate the hip-hop music scene in the mid- to late-1990s.
The Only One(s) or Only One may refer to: Music. Albums. The Only One (Kenny Barron album), 1990; Only One (Shinhwa album), or the title song, 2000;
Only one composer has won two Scoring Oscars the same year: in 1973, Marvin Hamlisch won Original Dramatic Score for The Way We Were and Best Adaptation Score, for The Sting. Hamlisch also won Best Song that year for The Way We Were , making him the only composer to win three music Oscars in the same year.
The award has undergone a number of minor changes. In 1947, 1950, 1951, and 1962, the award went to the composer only. Otherwise, the award has gone to the composer and lyricist for their combined contributions, except for 1971 when the two awards were split (although Stephen Sondheim won both, for Company).