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Henry Gray (January 19, 1925 – February 17, 2020) was an American blues piano player and singer born in Kenner, Louisiana. [1] He played for more than seven decades and performed with many artists, including Robert Lockwood Jr., Billy Boy Arnold, Morris Pejoe, the Rolling Stones, Muddy Waters, and Howlin' Wolf.
Chester Arthur Burnett (June 10, 1910 – January 10, 1976), better known by his stage name Howlin' Wolf, was an American blues singer, guitarist and harmonica player. He was at the forefront of transforming acoustic Delta blues into electric Chicago blues, and over a four-decade career, recorded blues, rhythm and blues, rock and roll, and psychedelic rock.
The Real Folk Blues is a series of blues albums released between 1965 and 1967 by Chess Records, later reissued MCA Records.Each album in the series highlighted the music of one major Chess artist, including John Lee Hooker, Howlin' Wolf, Muddy Waters, and Sonny Boy Williamson II.
Chester Burnette A.K.A. Howlin' Wolf: Howlin' Wolf Cadet 2CA-60017 The Heatin' System: Jack McDuff: Cadet 2CA-60018 Inside: Ramsey Lewis: Cadet 2CA-60019 Cool Cookin' Kenny Burrell: Chess CH-60020 The London Chuck Berry Sessions: Chuck Berry: Cadet CA-60021 12 X 6 The Hard Way: Various Artists Cadet CA-60022 12 X 6 The Easy Way: Various Artists ...
Howlin' Wolf recorded "Killing Floor" in Chicago in August 1964, which Chess Records released as a single. [2] According to blues guitarist and longtime Wolf associate Hubert Sumlin, the song uses the killing floor – the area of a slaughterhouse where animals are killed – as a metaphor or allegory for male-female relationships: "Down on the killing floor – that means a woman has you down ...
Moanin' in the Moonlight is a compilation album and the first album by American blues artist Howlin' Wolf, released by Chess Records in 1959. It contains songs recorded between 1951 and 1959 previously issued as singles, including one of his best-known, "Smokestack Lightning".
Work underway to transform Book & Bar space into Howling Wolf. ... The city issued a building permit to Howling Wolf on June 18 to undertake a series of renovations in the former Book & Bar space ...
In October 1954, Howlin' Wolf recorded his version, titled simply "Forty Four", as an electric Chicago blues ensemble piece. Unlike the early versions of the song, Wolf's recording featured prominent guitar lines and an insistent "martial shuffle on the snare drum plus a bass drum that slammed down like an industrial punch-press", according to biographers. [7]