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"Calm Down" is a song by American rapper Busta Rhymes from the album Extinction Level Event 2: The Wrath of God. The song features Eminem and was produced by Scoop DeVille . It was released for digital download on July 1, 2014 by The Conglomerate Entertainment and Empire Distribution .
"Calm Down" is a song by Nigerian singer Rema, from his debut studio album Rave & Roses (2022). It was released on 11 February 2022 through Jonzing World and Mavin as the album's second single. The song charted across Europe, reaching number one on the Belgian Ultratop 50 , Dutch Top 40 and Dutch Single Top 100 .
She also announced "You Need to Calm Down" as the album's second single, following the lead single "Me!". [4] Swift revealed that she had contained an "old-timey, 1940s-sounding" instrumental of "You Need to Calm Down" in a scene of the "Me!" music video. [5] "You Need to Calm Down" and its lyric video were released for streaming on June 14, 2019.
Free time is a type of musical anti-meter free from musical time and time signature. It is used when a piece of music has no discernible beat. Instead, the rhythm is intuitive and free-flowing. In standard musical notation, there are seven ways in which a piece is indicated to be in free time: There is simply no time signature displayed.
"Calm Down" emerged from Rema's debut studio album, Rave & Roses (2022), which peaked at number 81 on the Billboard 200. [ 9 ] [ 10 ] His fourth commercial EP, Ravage , was released in 2023. His second album, Heis (2024), was supported by the single " Benin Boys " (with Shallipopi ). [ 11 ]
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Some composers have discussed the significance of silence or a silent composition without ever composing such a work. In his 1907 manifesto, Sketch of a New Esthetic of Music, Ferruccio Busoni described its significance: [1] That which, within our present-day music, most nearly approaches the essential of the art, is the Rest and the Hold (Pause).
Research in music cognition has shown that time as a subjective structuring of events in music, differs from the concept of time in physics. [2] Listeners to music do not perceive rhythm on a continuous scale, but recognise rhythmic categories that function as a reference relative to which the deviations in timing can be appreciated.