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Color plays an important role in setting expectations for a product and communicating its key characteristics. [25] Color is the second most important element that allows consumers to identify brand packaging. [26] Marketers for products with an international market navigate the color symbolism variances between cultures with targeted advertising.
Color psychology is the study of colors and hues as a determinant of human behavior. Color influences perceptions that are not obvious, such as the taste of food. Colors have qualities that can cause certain emotions in people. [ 1] How color influences individuals may differ depending on age, gender, and culture. [ 2]
Color theory, or more specifically traditional color theory, is the historical body of knowledge describing the behavior of colors, namely in color mixing, color contrast effects, color harmony, color schemes and color symbolism. [ 1] Modern color theory is generally referred to as Color science. While there is no clear distinction in scope ...
The foundation of color theory is the color […] As much a science as it is an art, color theory is a complex study that outlines prismatic relationships and how the human eye perceives the spectrum.
Blue in culture. Goblet from Mesopotamia, 1500–1300 BC glazed with Egyptian blue. This was the first synthetic blue, first made in about 2500 BC. The color blue has been important in culture, politics, art and fashion since ancient times. Blue was used in ancient Egypt for jewelry and ornament. [ 1] In the Renaissance, blue pigments were ...
Traditionally, the standard colors in Chinese culture are black, red, cyan ( 青; qīng ), white, and yellow. Respectively, these correspond to water, fire, wood, metal, and earth, which comprise the 'five elements' ( wuxing) of traditional Chinese metaphysics. Throughout the Shang, Tang, Zhou and Qin dynasties, China's emperors used the Theory ...
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Philosophy of color. The philosophy of color is a subset of the philosophy of perception that is concerned with the nature of the perceptual experience of color. Any explicit account of color perception requires a commitment to one of a variety of ontological or metaphysical views, distinguishing namely between externalism / internalism, which ...