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In motion picture formats, the physical size of the film area between the sprocket perforations determines the image's size. The universal standard (established by William Dickson and Thomas Edison in 1892) is a frame that is four perforations high. The film itself is 35 mm wide (1.38 in), but the area between the perforations is 24.89 mm × 18 ...
Fullscreen (or full screen) refers to the 4:3 (1. 33:1) aspect ratio of early standard television screens and computer monitors. [1] Widescreen ratios started to become more popular in the 1990s and 2000s. Film originally created in the 4:3 aspect ratio does not need to be altered for full-screen release.
In the picture framing industry, a mat (or matte, or mount in British English) is a thin, flat piece of paper-based material included within a picture frame, which serves as additional decoration and to perform several other, more practical functions, such as separating the art from the glass.
no standard no standard no standard 1 perf, center spherical 11 mm spherical Home Kinetoscope: Edison: 1912 unknown (amateur format) no standard no standard no standard no standard spherical 22 mm, 2 perf (on frameline between frame rows) 1.5 0.236" × 0.157" (three frames across width) spherical Pathe Kok: Pathé: 1912 unknown (amateur format ...
Half-frame: cartridge 1934, later than Present 18 × 24 mm 48 or 72 135 film in "half-frame" cameras Minox: cartridge 1938 Present 8 × 11 mm 15, 36 or 50 nominally 9.5 mm-wide stock (in reality 9.2–9.3 mm) Karat cartridge 1936 1963 Early AGFA cartridge for 35 mm film Rapid cartridge 1964 1990s 24 × 24 mm 18 × 24 mm 12 16
Academy ratio 1.375:1. The Academy ratio of 1.375:1 (abbreviated as 1.37:1) is an aspect ratio of a frame of 35 mm film when used with 4-perf pulldown. [1] [2] It was standardized by the Academy of Motion Picture Arts and Sciences as the standard film aspect ratio in 1932, although similar-sized ratios were used as early as 1928.
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