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Notable statues made by Breceda include a stagecoach pulled by horses, a large serpent, and a Tyrannosaurus rex. Breceda was the subject of a book called "Ricardo Breceda: Accidental Artist", and his art was cited by both The Huffington Post and The San Diego Union-Tribune as reasons why people should visit the Anza-Borrego Desert.
The 2nd-century Roman bronze equestrian statue of Marcus Aurelius, highly visible in Rome since antiquity, was the main influence on the Renaissance revival of the form. An equestrian statue is a statue of a rider mounted on a horse, from the Latin eques, meaning 'knight', deriving from equus, meaning 'horse'. [1]
The sculpture is titled Business Man on Horse. [24] The sculpture does not portray a specific individual. — Yorkton, Saskatchewan: 2010 Lionel Peyachew Located on the grounds of Painted Hand Casino. The sculpture is titled Counting Coup, named after a practice with warriors of the First Nations of the Canadian Prairies. [25] The sculpture ...
Riot (1990), steel sculpture by Deborah Butterfield, at the Delaware Art Museum in February 2017. Butterfield's work has been exhibited widely and there is demand among art collectors for her sculptures. Her earliest works from the mid-1970s were made from sticks and natural detritus gathered on her property in Bozeman, Montana.
"Waiting: The Monument to the Liverpool Working Horse" is a bronze statue of a horse, height 1.8 metres (5 ft 11 in), on the quayside outside the Museum of Liverpool, unveiled on 1 May 2010. Conmissioned by the Liverpool Carter's Association, it is a monument to the working horse, used by carters in Liverpool for more than 250 years, to move ...
Each dog has a unique expression on its face — it's almost like they're a smaller version of the real thing. "They come in all shapes and sizes. Tall, small, long legs, short legs, long hair and ...
Head of the horse of Selene, which inspired Fiddian-Green, with the Elgin Marbles in the British Museum. Born in Ireland, [3] Fiddian-Green was educated at Eton College.Later, as a foundation-course student at Chelsea College of Arts he was sent on a visit to the British Museum to seek inspiration, [2] and chanced upon a carving of horse's head, the horse of Selene, [4] in the Elgin Marbles ...
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