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The " Modernist School ", the " Blue Star ", and the " Epoch " were modernist, including avant-garde and surrealism, Chinese poetic groups founded in 1954 in Taiwan and led by Qin Zihao (1902–1963) and Ji Xian (b. 1903). [76][77] Confessional poetry was an American movement that emerged in the late 1950s and the 1960s.
A movement within Russian Futurism with practice of zaum, the experimental visual and sound poetry [77][78][79] David Burliuk, Velimir Khlebnikov, Aleksei Kruchyonykh, Vladimir Mayakovsky. Ego-Futurism. A school within Russian Futurism based on a personality cult [77][80] Igor Severyanin, Vasilisk Gnedov. Acmeism.
The phenomenon of performance poetry, a kind of poetry specifically made for and offered during a performance before an audience goes back to Dada, the term itself only emerged later. On June 23, 1916, Hugo Ball performed one of the first sound poems, Gadji beri bimba at the Cabaret Voltaire in Zürich, dressed in a cardboard costume so that he ...
British Poetry Revival. The British Poetry Revival is the general name now given to a loose movement in the United Kingdom that took place in the late 1960s and 1970s. The term was a neologism first used in 1964, postulating a New British Poetry to match the anthology The New American Poetry (1960) edited by Donald Allen.
In Great Britain, movement for social change and a more inclusive sharing of power was also growing. This was the backdrop against which the Romantic movement in English poetry emerged. The main poets of this movement were William Blake, William Wordsworth, Samuel Taylor Coleridge, Percy Bysshe Shelley, Lord Byron, and John Keats.
The Liverpool Scene was a poetry band, which included Adrian Henri, Andy Roberts, Mike Evans, Mike Hart, Percy Jones and Brian Dodson. It grew out of the success of The Incredible New Liverpool Scene, a CBS LP featuring Henri and McGough reading their work, with accompaniment by the guitarist Roberts. Liverpool DJ John Peel, who was then ...
Cavalier poet. The cavalier poets was a school of English poets of the 17th century, that came from the classes that supported King Charles I during the English Civil War (1642–1651). Charles, a connoisseur of the fine arts, supported poets who created the art he craved. These poets in turn grouped themselves with the King and his service ...
In music. Post-romanticism in music refers to composers who wrote classical symphonies, operas, and songs in transitional style that constituted a blend of late romantic and early modernist musical languages. Arthur Berger described the mysticism of La Jeune France as post-Romanticism rather than neo-Romanticism. [6]