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Throughout the interior, walls are clad with polished white Alabama marble panels to a height of seven feet with plaster finishes above. Baseboards and door trim are black Alberene. Floors are covered with cream-colored terrazzo with inset panels and circles of black Alberene and grey terrazzo that mark important corridor junctions.
The entrance vestibule has strips of veined gray marble, running diagonally toward the room's corners. The floor is surrounded by a rectangular band of white-and-black marble. The bottoms of the entrance vestibule's walls contain red-marble baseboards. Above those are black-marble wall panels with white veining, which are placed at regular ...
20 Exchange Place, formerly the City Bank–Farmers Trust Building, is a skyscraper in the Financial District of Lower Manhattan in New York City.Completed in 1931, it was designed by Cross & Cross in the Art Deco style as the headquarters of the City Bank–Farmers Trust Company, predecessor of Citigroup.
This cheerful color combination (pale pink and sage green) makes this bedroom feel like spring. The walls and picture frame molding are painted in Little Greene's Pea Green and the geometric ...
Baseboard. In architecture, a baseboard (also called skirting board, skirting, wainscoting, mopboard, trim, floor molding, or base molding) is usually wooden, MDF or vinyl board covering the lowest part of an interior wall. Its purpose is to cover the joint between the wall surface and the floor. It covers the uneven edge of flooring next to ...
The floor of the lobby, the porch, and entrances to the building have ornate designs in red and black or red and green terrazzo. The walls of the lobby are Moroccan, book matched, red marble panels. [5] There is a nickel-silver relief El Tiempo (‘Time’) by graphic designer Enrique García Cabrera on the elevator wall of the lobby. [1]
The side walls are also made of pink marble above a black baseboard. Each wall is separated at regular intervals by yellow-marble pilasters. [21] The capitals of each pilaster contain moldings of lion heads, which support round arches on the ceiling. Between these lions' heads are medallions that symbolize horses, sheep, and rams. [23]
The vestibule is clad in marble upon a black granite base and features original bronze sidelights flanking each doorway and adjacent recessed wood-paneled telephone niches. The T-shaped central lobby is finished with multicolor terrazzo floors, golden-veined Genevieve marble for the walls, and high plaster ceilings.
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