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In the traditional photochemical post-production workflow, release prints are usually copies, made using a high-speed continuous contact printer, [5] of an internegative (sometimes referred to as a 'dupe negative'), which in turn is a copy of an interpositive (these were sometimes referred to as 'lavender prints' in the past, due to the slightly colored base of the otherwise black-and-white ...
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Blank Forms is a not-for-profit arts organization based in New York City. It was founded by Lawrence Kumpf in 2016 as a platform for the preservation and presentation of experimental and time-based performance practices. [1] Blank Forms frequently works with individual artists on a long-term basis in order to create "in-depth public programs ...
Daily production report. A daily production report ( DPR) or production report (PR) in filmmaking is the form filled out each day of production for a movie or television show to summarize what occurred that day. There is no standard template for a production report and each show usually has an original template, often created before production ...
180-degree rule. This schematic shows the axis between two characters and the 180° arc on which cameras may be positioned (green). When cutting from the green arc to the red arc, the characters switch places on the screen. In filmmaking, the 180-degree rule[1] is a basic guideline regarding the on-screen spatial relationship between a ...
Filmmaking or film production is the process by which a motion picture is produced. Filmmaking involves a number of complex and discrete stages, beginning with an initial story, idea, or commission. Production then continues through screenwriting, casting, pre-production, shooting, sound recording, post-production, and screening the finished ...
Film style categorizes films based on the techniques used in the making of the film, such as cinematography or lighting. Two films may be from the same genre, but may well look different as a result of the film style. For example, Independence Day and Cloverfield are both sci-fi, action films about the possible end of the world.
Formalist film theory. Formalist film theory is an approach to film theory that is focused on the formal or technical elements of a film: i.e., the lighting, scoring, sound and set design, use of color, shot composition, and editing. This approach was proposed by Hugo Münsterberg, Rudolf Arnheim, Sergei Eisenstein, and Béla Balázs. [1]