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  2. Drypoint - Wikipedia

    en.wikipedia.org/wiki/Drypoint

    Drypoint. Drypoint is a printmaking technique of the intaglio family, in which an image is incised into a plate (or "matrix") with a hard-pointed "needle" of sharp metal or diamond point. In principle, the method is practically identical to engraving. The difference is in the use of tools, and that the raised ridge along the furrow is not ...

  3. Etching revival - Wikipedia

    en.wikipedia.org/wiki/Etching_revival

    The etching revival was the re-emergence and invigoration of etching as an original form of printmaking during the period approximately from 1850 to 1930. The main centres were France, Britain and the United States, but other countries, such as the Netherlands, also participated. A strong collector's market developed, with the most sought-after ...

  4. Intaglio (printmaking) - Wikipedia

    en.wikipedia.org/wiki/Intaglio_(printmaking)

    Intaglio (/ ɪnˈtæli.oʊ, - ˈtɑːli -/ in-TAL-ee-oh, -⁠TAH-lee-; [1] Italian: [inˈtaʎʎo]) is the family of printing and printmaking techniques in which the image is incised into a surface and the incised line or sunken area holds the ink. [2] It is the direct opposite of a relief print where the parts of the matrix that make the image ...

  5. Hundred Guilder Print - Wikipedia

    en.wikipedia.org/wiki/Hundred_Guilder_Print

    Hundred Guilder Print. The Hundred Guilder Print, c.1647-1649, State 2 of 2. 278 x 388 mm. The Hundred Guilder Print is an etching with drypoint by Rembrandt, measuring 278 x 388 mm (platemark). [1] The etching's popular name derives from the large sum of money supposedly charged for it. It is also called Christ healing the sick, [2] Christ ...

  6. Rembrandt's prints - Wikipedia

    en.wikipedia.org/wiki/Rembrandt's_prints

    The Dutch Golden Age painter Rembrandt was a prolific printmaker throughout his career, and is universally regarded as one of the greatest creators of old master prints. Though, like other prints, his are often loosely described as "engravings", the main technique he used was etching, with some prints entirely in true engraving or in drypoint.

  7. Printmaking - Wikipedia

    en.wikipedia.org/wiki/Printmaking

    A technique used in Intaglio etchings. Like etching, aquatint technique involves the application of acid to make marks in a metal plate. Where the etching technique uses a needle to make lines that retain ink, traditional aquatint relies on powdered rosin which is acid resistant in the ground to create a tonal effect. The rosin is applied in a ...

  8. Etching - Wikipedia

    en.wikipedia.org/wiki/Etching

    Etching by Daniel Hopfer, who is believed to have been the first to apply the technique to printmaking. Etching is traditionally the process of using strong acid or mordant to cut into the unprotected parts of a metal surface to create a design in intaglio (incised) in the metal. [1] In modern manufacturing, other chemicals may be used on other ...

  9. European printmaking in the 18th century - Wikipedia

    en.wikipedia.org/wiki/European_printmaking_in...

    They are eighty etchings in mixed technique of etching and aquatint, with drypoint retouches. The images, as the title indicates, are personal fantasies of the artist, in which there is, however, a good dose of social criticism, of "censorship of human errors and vices", as he expressed in an advertisement he published in the press.

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