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Halfround (also referred to as halfwound, ground wound, or pressure wound strings) are string that are cross between roundwound and flatwound. Such strings are usually made by winding round wire around a round or hex core first, then polishing, grinding (thus the name, ground wound ) or pressing the exterior part of the winding until it is ...
Common variants include roundwound, flatwound, halfwound (groundwound), coated, tapewound and taperwound (not to be confused with tapewound) strings. Roundwound and flatwound strings feature windings with circular and rounded-square cross-sections, respectively, with halfround (also referred to as halfwound, ground wound, pressure wound ...
The 4001 model features a neck-through construction, a full-wood body, fretboard with metal strings (originally flat-wound, though many players replaced them with round-wounds), twin truss rods, triangle inlays, two single coil pickups, two volume and two tone dials, selector switch, [2] and wiring for Rick-O-Sound (standard after 1971). [1]
John Entwistle of The Who came to the Rotosound factory looking for an even-sounding, heavy, roundwound bass string. Entwistle spent the afternoon there, trying string after string before settling on a set that would become known as Swing Bass 66.
A fretless bass is an electric bass guitar whose neck lacks frets and thus is smooth like traditional string instruments, and like the neck of an acoustic double bass.While the fretless bass is played in all styles of music, it is most common in pop, rock, and jazz.
Such musical strings are said to be "overspun"; the added wire may be circular in cross-section ("round-wound"), or flattened before winding ("flat-wound"). Examples include: Hook-up wire is small-to-medium gauge, solid or stranded, insulated wire, [11] used for making internal connections inside electrical or electronic devices.
Schematic symbol of a slip ring motor. A wound-rotor motor, also known as slip ring-rotor motor, is a type of induction motor where the rotor windings are connected through slip rings to external resistance.
Beethoven chose A-flat major as the key of the slow movement for most of his C minor works, a practice which Anton Bruckner imitated in his first two C minor symphonies and also Antonín Dvořák in his only C minor symphony.