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The brunette is a French song form popular in the late seventeenth and eighteenth centuries. [1] Among those who worked in the form was Jacques Hotteterre, who published a collection of flute arrangements of airs and brunettes around 1721. [2]
The Seventeenth Century is a quarterly peer-reviewed academic journal covering research on the 17th century published by Taylor & Francis. It is abstracted and indexed in the Arts & Humanities Citation Index. [1]
19th- and early 20th-century performing editions of string music 2,000 AHRC-funded research project containing music files viewable on-site or as downloads. Most of the music consists of chamber music and concertos for string instruments, edited and annotated by such players as Ferdinand David, Friedrich Grützmacher, and Joseph Joachim.
The name may refer to the short steps, pas menus, taken in the dance, [1] or else be derived from the branle à mener or amener, popular group dances in early 17th-century France. [2] The minuet was traditionally said to have descended from the bransle de Poitou , though there is no evidence making a clear connection between these two dances.
A History of Western Music, W. W. Norton & Co; 7th rev. ed. (10 August 2005) ISBN 0-393-97991-1; Studies in the History of Italian Music and Music Theory, Clarendon Press, March 1994, ISBN 978-0-19-816167-7; Aria Types in the Earliest Operas, Palisca's last completed paper for the Journal of 17th Century Music.
It was ultimately catalogued in the 1880s by librarian Anders Lagerberg, [1] and, upon being noticed by a visiting German musician from Lübeck, gained the attention of musicologists due to it containing copies of previously unknown works by Buxtehude, [2] and later due to its overall significance in assessing 17th-century music history. [1]
The revival of baroque music in the 1960s and '70s sparked renewed interest in 17th and 18th century dance styles. While some 300 of these dances had been preserved in Beauchamp–Feuillet notation , it wasn't until the mid-20th century that serious scholarship commenced in deciphering the notation and reconstructing the dances.
Ballet as a music form progressed from simply a complement to dance, to a concrete compositional form that often had as much value as the dance that went along with it. The dance form, originating in France during the 17th century, began as a theatrical dance. It was not until the 19th century that ballet gained status as a "classical" form.