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The production supplemented Euripides' play with material drawn from a range of sources, united by their exploration of the themes of death and rebirth. [13] It began with Heiner Müller's Explosion of a Memory (Description of a Picture) (1985) as a prologue; the piece is a dream narrative partly composed using automatic writing.
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The surviving fragments of Euripides' play do not make it clear how the recognition between Hypsipyle and her sons was brought about, but two later accounts may have been based on the play. [15] According to the Second Vatican Mythographer , after the sons won the foot-race, at the funeral games, their names and parents were announced, and in ...
Clinging to the altar of the sea-goddess Thetis for sanctuary, Andromache delivers the play's prologue, in which she mourns her misfortune (the destruction of Troy, the deaths of her husband Hector and their child Astyanax, and her enslavement to Neoptolemos) and her persecution at the hands of Neoptolemos' new wife Hermione and her father Menelaus, King of Sparta.
Euripides [a] (c. 480 – c. 406 BC) was a Greek tragedian of classical Athens. Along with Aeschylus and Sophocles, he is one of the three ancient Greek tragedians for whom any plays have survived in full. Some ancient scholars attributed ninety-five plays to him, but the Suda says it was ninety-two at most.
The Trojan Women (Ancient Greek: Τρῳάδες, romanized: Trōiades, lit."The Female Trojans") is a tragedy by the Greek playwright Euripides, produced in 415 BCE.Also translated as The Women of Troy, or as its transliterated Greek title Troades, The Trojan Women presents commentary on the costs of war through the lens of women and children. [1]
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Alcmaeon in Corinth (Ancient Greek: Ἀλκμαίων ὁ διὰ Κορίνθου, Alkmaiōn ho dia Korinthou; also known as Alcmaeon at Corinth, Alcmaeon) is a play by Greek dramatist Euripides. It was first produced posthumously at the Dionysia in Athens, most likely in 405 BCE, in a trilogy with The Bacchae and Iphigenia in Aulis .