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Pages in category "Operas by Ludwig van Beethoven" The following 3 pages are in this category, out of 3 total. This list may not reflect recent changes. F. Fidelio;
Fidelio (/ f ɪ ˈ d eɪ l j oʊ /; [1] German: [fiˈdeːlio]), originally titled Leonore, oder Der Triumph der ehelichen Liebe (Leonore, or The Triumph of Marital Love), [2] Op. 72, is the sole opera by German composer Ludwig van Beethoven. The libretto was originally prepared by Joseph Sonnleithner from the French of Jean-Nicolas Bouilly.
Title page of Beethoven's symphonies from the Gesamtausgabe. The list of compositions of Ludwig van Beethoven consists of 722 works [1] written over forty-five years, from his earliest work in 1782 (variations for piano on a march by Ernst Christoph Dressler) when he was only eleven years old and still in Bonn, until his last work just before his death in Vienna in 1827.
Ludwig van Beethoven [n 1] (baptised 17 December 1770 – 26 March 1827) was a German composer and pianist. He is one of the most revered figures in the history of Western music; his works rank among the most performed of the classical music repertoire and span the transition from the Classical period to the Romantic era in classical music.
1805 Fidelio (Ludwig van Beethoven). Beethoven's only opera was inspired by the composer's passion for political liberty. [44] 1807 La vestale (Gaspare Spontini). Spontini's opera about a vestal virgin in love was a great influence on Berlioz and a forerunner of French grand opera. [45] 1812 La scala di seta (Gioachino Rossini).
The Creatures of Prometheus (German: Die Geschöpfe des Prometheus), Op. 43, is a ballet composed in 1801 by Ludwig van Beethoven following the libretto of Salvatore Viganò. The ballet premiered on 28 March 1801 at the Burgtheater in Vienna and was given 28 performances.
This is a partial discography of Fidelio, a Singspiel in two acts by Ludwig van Beethoven. Beethoven had originally written a three-act version of the opera called Leonore, first performed in 1805 and then re-staged with revisions in 1806. Despite the name change, the heroine is the title character in both cases.
Most of Beethoven's best known works were published with opus numbers, with which they may be reliably identified.Another 228 works are designated WoO (Werke ohne Opuszahl – literally, "works without opus number"), among them unpublished early and occasional works (Cantata on the Death of Emperor Joseph II, WoO 87), published variations and folksong arrangements (25 Irish Songs, WoO 152 ...