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The third hymn of the Tirunetuntantakam describes the Kurma incarnation of Vishnu during the Samudra Manthana: [9] The dark blue-hued lord is a picture of auspiciousness. In each age he takes a different form, suited to that age. In the Tretayuga he took the huge form of a tortoise to churn ambrosia from the ocean.
Naalayira Divya Prabhandham (Tamil: நாலாயிர திவ்ய பிரபந்தம்) is a collection of 4,000 Tamil verses (Naalayiram in Tamil means 'four thousand') composed before 8th century AD,[1] by the 12 Alvars, and was compiled in its present form by Nathamuni during the 9th – 10th centuries. The work is the ...
The chaturvimshatimurti are all represented as standing and holding the four attributes of Vishnu: the Sudarshana Chakra (discus), Panchajanya (conch), Kaumodaki (mace), and Padma (lotus). Symbolising the deity's different visible forms, the only difference between these images is the order of the emblems held by his four hands . [ 5 ]
Vaikuntha (Sanskrit: वैकुण्ठ, romanized: Vaikuṇṭha, lit. 'without anxiety'), [1] also called Vishnuloka (Viṣṇuloka), and Tirunatu (Tirunāṭu) in Tamil, [2] is the abode of Vishnu, [3] the supreme deity in the Vaishnava tradition of Hinduism, [4] [5]: 17 and his consort, Lakshmi, the supreme goddess of the sect.
[83] The text equates Vishnu to all knowledge there is (Vedas), calling the essence of everything as imperishable, all Vedas and principles of universe as imperishable, and that this imperishable which is Vishnu is the all. [83] Vishnu is described to be permeating all object and life forms, states S. Giora Shoham, where he is "ever-present ...
The deity Vishnu, addressed in these poems, is also exalted in Sanskrit myth and epic. In this poem, Vishnu is himself a symbol of the coalescence between Tamil and Sanskrit literatures. Nammalvar's poems are addressed to Tirumal or Mayon, "the dark one," the god of the mullai landscape and of Sangam poems, identified with Vishnu. Sanskrit ...
According to Hudson, a story in this Vedic text highlights the meaning of the name Vāsudeva as the 'shining one (deva) who dwells (Vasu) in all things and in whom all things dwell', and the meaning of Vishnu to be the 'pervading actor'. In the Bhagavad Gita, similarly, 'Krishna identified himself both with Vāsudeva, Vishnu and their meanings'.
Vaishnavism is centred on the devotion of Vishnu and his avatars. According to Schweig, it is a "polymorphic monotheism, i.e. a theology that recognises many forms (ananta rupa) of the one, single unitary divinity," since there are many forms of one original deity, with Vishnu taking many forms. [78]