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"5:15" (sometimes written "5.15" or "5'15") is a song written by Pete Townshend of British rock band The Who. Part of the band's second rock opera, Quadrophenia (1973), the song was also released as a single and reached No. 20 on the UK Singles Chart, [3] while the 1979 re-release (accompanying the film and soundtrack album) reached No. 45 on the Billboard Hot 100.
John William Lowery (born July 31, 1970), [3] known by the stage name John 5, is an American guitarist. Lowery first took the stage name in 1998 when he left David Lee Roth 's solo band and joined Marilyn Manson .
Eventually, he is taken to divorce court by his angry wife, but wins his case easily, as "the jury, the lawyers, the judge supreme / all are commuters on the 5:15". One oddity about the song is the brief instrumental bar played at both the beginning and the end of the song: "Shave and a Haircut". First appearing as early as 1899, the tune was ...
"Man Next Door" (also known as "Quiet Place" or "I've Got to Get Away") is a song composed and adapted by John Holt and first recorded by his group The Paragons in 1968. Holt's song is partially based on the original composition, "Quiet Place", recorded by Soul R & B artist Garnet Mimms & The Enchanters, released in 1963 on his Cry Baby (Garnet Mimms album).
The song, with music by Harold Arlen and lyrics by Ira Gershwin, is performed in the film by Judy Garland. "The Man That Got Away" was ranked #11 by the American Film Institute on the AFI's 100 Years...100 Songs list. It was nominated for Best Original Song at the 27th Academy Awards but lost to "Three Coins in the Fountain". [1]
It also has the previously unreleased songs, "Not to Me" and "Is You". The song "Wait for Me" is also included, which was previously an Australian bonus track for The Big Room. A DVD is included with the album, which contains music videos and a featurette, as well as footage of M2M in Bangkok and Norway. [1]
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Damita Jo reached no. 10 on the Adult Contemporary chart and no. 68 on the Billboard Hot 100 in 1966 for her version of the song. [2] Terry Jacks recorded a version of the song which was released as a single in 1974 and reached no. 29 on the Adult Contemporary chart, no. 68 on the Billboard Hot 100, and went to no. 8 in the UK. [3]