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Baldi created the music "for personal enjoyment, to see if I could write a song that was better than the last song I wrote." [ 1 ] One of the fake bands Baldi created was Cloud Nothings. Underground rock promoter Todd Patrick , from New York City, invited the band to perform at Market Hotel in Brooklyn , New York, opening for the bands Woods ...
Cloud Nothings is the first full-length studio album and second LP overall by Cloud Nothings. It was released on January 24, 2011, by Carpark Records and was produced and mixed by Chester Gwazda at his home studio in Baltimore. All songs were written and performed by Dylan Baldi.
Writing for AllMusic, Heather Phares gave the release a 4.5 out of 5, explaining "The Shadow I Remember's compact, hooky outbursts are just as potent as the slow-burning epics on Cloud Nothings' other albums. They're so seasoned that they can shift from bouncy to crushing and back again in a blink on "The Spirit Of," or whip through a dramatic ...
[11] Errick Easterday of PopMatters rates the album 8/10 and declares "Cloud Nothings' 'Final Summer' is a masterclass in indie rock. Cloud Nothings have delivered record after record of catchy, energetic songs without getting stale or repetitive. Final Summer continues that streak." [8]
Last Building Burning is the fifth studio album by American rock band Cloud Nothings. It was released on October 19, 2018 via Carpark Records. It was released on October 19, 2018 via Carpark Records. Production and release
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Music aggregation site Metacritic gave the album a 79/100 from 29 reviews, indicating "generally favorable reviews". [13]Philip Cosores of Consequence of Sound wrote that while the bands songs may sound like "instigators, getting people riled up for some masculine bro-down and canned beer chugging", but are rather "desperate and haunted, dealing with mental illness, instability, heartbreak ...
While previous Cloud Nothings albums were pop albums, the tone of Attack on Memory is more aggressive. Dylan Baldi called the album a bunch of "depressing songs," and cited his boredom with power pop as attributable to the album's musical style. Additionally, the title was a reflection of Baldi's feelings towards Cloud Nothings' previous sound ...