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Miguel de Unamuno y Jugo (/ uː n ə ˈ m uː n oʊ /; Spanish: [miˈɣ̞el ð̞e̞ unaˈmuno i ˈxuɣ̞o]; 29 September 1864 – 31 December 1936) was a Spanish essayist, novelist, poet, playwright, philosopher, professor of Greek and Classics, and later rector at the University of Salamanca.
When the novel was published Spain has been enjoying some 20 years of political stability, the first such period in the 19th century. The regime, usually named "Restoration", was monarchy combined with parliamentarian liberal democracy; two key parties were interchanging at power and fundamental flaws of the system – its elitism, corruption and caciquismo – were not clearly visible yet. [4]
San Manuel Bueno, mártir (1931) is a short novel by Miguel de Unamuno (1864–1936). It experiments with changes of narrator as well as minimalism of action and of description, and as such has been described as a nivola, a literary genre invented by Unamuno to describe his work.
Miguel de Unamuno: renowned Spanish writer whom Augusto decides to visit when in search of life advice. Eugenia Domingo Del Arco: piano instructor and acquaintance of Augusto. Mauricio: Eugenia's lover. He is also a friend for Rosario. Rosario: young woman who brings the ironed clothes to Augusto's house. Orfeo: Augusto's dog.
Abel Sánchez: A Story of Passion (Spanish: Abel Sánchez: Una historia de pasión) is a 1917 novel by Miguel de Unamuno. Abel Sanchez is a re-telling of the story of Cain and Abel set in modern times, which uses the parable to explore themes of envy .
One such retelling was the English-language translation by Lady Moreton, entitled Perez the Mouse and illustrated by George Howard Vyse, which was published in 1914. [5] Other adaptations include El ratoncito Pérez (1999) by Olga Lecaye, La mágica historia del Ratoncito Pérez (1996) by Fidel del Castillo, ¡S.O.S., salvad al ratoncito Pérez!
The Book of Good Love is a varied and extensive composition of 1728 stanzas, centering on the fictitious autobiography of Juan Ruiz, Archpriest of Hita.Today three manuscripts of the work survive: the Toledo (T) and Gayoso (G) manuscripts originating from the fourteenth century, and the Salamanca (S) manuscript copied at the start of the fifteenth century by Alonso de Paradinas.