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Hydrogen is an open-source drum machine created by Alessandro Cominu, an Italian programmer who goes by the pseudonym Comix. [1] Its main goal is to provide professional yet simple and intuitive pattern-based drum programming. Hydrogen was originally developed for Linux, and later ported to Mac OS X and Windows.
It features controls for vocal isolation and volume control, real time loop and speed controls, tactile audio effects, audio track management, recording of mixes and recording playback. The Stem Player is a beige, circular device, measuring 7 centimetres in diameter. 4 touch-sensitive LED sliders cover the front of the device.
original E-mu SP-1200 (1987). The E-mu SP-1200 is a sampling drum machine designed by Dave Rossum and released in August 1987 by E-mu Systems.Like its predecessor, the SP-12, it was designed as a drum machine featuring user sampling.
The Yamaha DTX series is a range of electronic drum kits and percussion controllers manufactured by the Yamaha Corporation. They currently cover levels from beginner to professional. DTX kits use sampling for their sounds, meaning each kit has built-in digital recordings of real drums, and cymbals.
There are a number of free sound effects resources of public domain or free content sound recordings appropriate for Wikipedia use available online, and as well as in other contexts. All files should be converted to ogg , Wikipedia's patent-free format of choice.
A comprehensive drum screen was added to U2's performance at The Sphere. Tris Imboden using a simple drum screen. A drum screen, sometimes referred to as a drum shield or acoustic shield, is a tool used by audio engineers to avoid the sound control problems caused when louder instruments overwhelm quieter instruments and vocals on stage.
The LM-1 was designed by the American engineer and guitarist Roger Linn in the late 1970s. [1] Linn was dissatisfied with drum machines available at the time, such as the Roland CR-78, and wanted a machine that did not simply play preset patterns and "sound like crickets".
He removed the front head from the kick drum, placed a pillow inside, then aimed an RE20 at the inside of the drum shell. For Carlos Santana's 1999 Supernatural album, Kolotkin placed RE20s on the electric guitar cabinets, along with other microphones to be mixed in combination. He used an RE20 by itself for kick drum.