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The Electric Prunes appeared in early ads for the Vox Wah wah pedal, which touted the effect's ability to make an electric guitar sound like a sitar. [44] Donovan's personnel on his 1966 album Sunshine Superman included Shawn Phillips on sitar. Phillips also played sitar on one song on Donovan's next album Mellow Yellow, produced in 1967.
This is an alphabetized list of musicians who have made significant use of Danelectro, Silvertone or Coral guitars, basses, sitars and effects in live performances or studio recordings. Beck in concert, playing his primary guitar, a Vintage Danelectro Silvertone. September 29, 2006.
The FAB series of guitar effect pedals is a budget range of pedals made by the Danelectro company that are manufactured in China. The series was launched in 2005 with the release of the FAB Distortion, FAB Overdrive, and FAB Metal pedals. Currently, eight pedals share the same distinctive injection moulded plastic casing and blue LED light.
Star's Electric Sitar, [1] a copy of Coral/Danelectro Electric Sitar 3S19 [2] Danelectro company promotional photo of Coral Electric Sitar co-creator Vincent Bell. An electric sitar is a type of electric string instrument designed to mimic the sound of the sitar, a traditional musical instrument of India. Depending on the manufacturer and model ...
Ravi Shankar, a master of the instrument, was the first to make inroads into Western culture with the sitar.. While the sitar had earlier been used in jazz and Indian film music, it was from the 1960s onwards that various pop artists in the Western world began to experiment with incorporating the sitar, a classical Indian stringed instrument, within their compositions.
Hampton's abilities on an array of instruments (guitar, lap steel, pedal steel guitar, dobro, banjo, mandolin, baritone guitar, Vox mandoguitar, Weissenborn Hawaiian guitar, mandola, octave mandolin, cittern, bouzouki, coral electric sitar [4]) created a niche for him over the years as a first-call utility player for a number of notable artists ...
Designed for electric guitar and bass and operated by the player's foot, distortion pedals are most frequently placed in the signal chain between the guitar and amplifier. The use of distortion pedals was popularized by Keith Richard 's use of a Maestro FZ-1 Fuzz-Tone pedal on the 1965 Rolling Stones song " (I Can't Get No) Satisfaction ".
The sitarla (シターラ, shitāra) is an instrument that combines aspects of the sitar with the solid body electric guitar. It was conceptualized by Ishima and created by Masao Nagai in 2000. [9] [1] It is a hollow-bodied instrument, 3 1/2 tones lower than a guitar, [1] with only three existing in the world as of 2008. [6]
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