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The architecture of Mongolia is largely based on traditional dwellings, such as the yurt (Mongolian: гэр, ger) and the tent. During the 16th and 17th centuries, lamaseries were built throughout the country as temples which were later enlarged to accommodate a growing number of worshipers. Mongolian architects designed their temples with six ...
Also the shapes, colors, and ornaments of the wooden elements—toono, pillars, and poles of the Mongolian yurt—are in accord with the artistic style found in Buddhist monasteries in Mongolia. Such yurts are called "uyangiin ger", literally meaning "home of lyrics" or "home of melodies". [citation needed]
A Ger district (Mongolian: гэр хороолол, Ger khoroolol) is a form of residential district in Mongolian settlements. They usually consist of parcels with one or more detached traditional mobile dwellings or gers (hence the name), surrounded by two-metre high wooden fences .
The ger (yurts) is part of the Mongolian national identity. The Secret History of the Mongols mentions Genghis Khan as the leader of all people who live in felt tents, called gers, and even today a large share of Mongolia's population lives in ger, even in Ulaanbaatar .
Mongol women were in charge of building and packing up the yurts, or ger, during travel. Within the yurts, men took the west side of the tents while the women took the east side of the tents, where most of the cooking was done. Men carved wood for yurts, while both men and women made the felt covering for the structure. [2]
The name is a combination of the Mongolian word dalai meaning "ocean" and the Tibetan word (bla-ma) meaning "guru, teacher, mentor".[1] Many Buryats became Orthodox Christians due to the Russian expansion. During the socialist period religion was officially banned, although it was practiced in clandestine circles.
Yurt wagon or Ger tereg (Mongolian: ᠭᠡᠷ ᠲᠡᠷᠭᠡ) is a traditional mobile dwelling of the Mongolic people, in which a yurt is placed on a large cart usually pulled by oxen. [ 1 ] This type of habitat was mainly used by the Mongol Khans , at least between the 13th and 16th centuries.
Mongol zurag (Mongolian: Mонгол зураг, Mongol painting) is a style of painting in Mongolian art. Developed in the early 20th century, zurag is characterised by the depiction of secular, nationalist themes in a traditional mineral-paint–on–cotton medium similar to Tibetan thangka .