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American Traditional. Old school tattoo designs on tattoo artist Amund Dietzel. American traditional, Western traditional or simply traditional[1]: 18 is a tattoo style featuring bold black outlines and a limited color palette, with common motifs influenced by sailor tattoos. [2] The style is sometimes called old school and contrasted with "new ...
Trash polka is a mixed media form of tattooing that is created with various, non-limited components. [5] Detailed photo-realistic portraits can be displayed in conjunction with graphic elements such as large black areas, brush strokes, and geometric or abstract shapes. [6][7] The tattoos are traditionally in black and red, but other colors can ...
A tattoo is a form of body modification made by inserting tattoo ink, dyes, and/or pigments, either indelible or temporary, into the dermis layer of the skin to form a design. Tattoo artists create these designs using several tattooing processes and techniques , including hand-tapped traditional tattoos and modern tattoo machines .
Heart symbol. The heart symbol is an ideograph used to express the idea of the "heart" in its metaphorical or symbolic sense. Represented by an anatomically inaccurate shape, the heart symbol is often used to represent the center of emotion, including affection and love, especially romantic love.
Christian cross variants. 7th-century Byzantine solidus, showing Leontius holding a globus cruciger, with a stepped cross on the obverse side. Double-barred cross symbol as used in a 9th-century Byzantine seal. Greek cross (Church of Saint Sava) and Latin cross (St. Paul's cathedral) in church floorplans. The Christian cross, with or without a ...
Irezumi (入れ墨, lit. ' inserting ink ') (also spelled 入墨 or sometimes 刺青) is the Japanese word for tattoo, and is used in English to refer to a distinctive style of Japanese tattooing, though it is also used as a blanket term to describe a number of tattoo styles originating in Japan, including tattooing traditions from both the Ainu people and the Ryukyuan Kingdom.
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