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Blu Tack. Blu Tack is a reusable putty -like pressure-sensitive adhesive produced by Bostik, commonly used to attach lightweight objects (such as posters or sheets of paper) to walls, doors or other dry surfaces. Traditionally blue, it is also available in other colours. Generic versions of the product are also available from other manufacturers.
Protect walls from damage and posters from falling by using mounting or poster putty to hang decor. Unlike nails, tacks, and duct tape, mounting and poster putty won’t leave holes or peel paint.
View of a frame-maker's workshop, oil on canvas, circa 1900 The elaborate decoration on this frame may be made by adhering molded plaster pieces to the wood base.. A picture frame is a container that borders the perimeter of a picture, and is used for the protection, display, and visual appreciation of objects and imagery such as photographs, canvas paintings, drawings and prints, posters ...
Wood type in close-up. In letterpress printing, wood type is movable type made out of wood.First used in China for printing body text, wood type became popular during the nineteenth century for making large display typefaces for printing posters, because it was lighter and cheaper than large sizes of metal type.
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In the picture framing industry, a mat (or matte, or mount in British English) is a thin, flat piece of paper -based material included within a picture frame, which serves as additional decoration and to perform several other, more practical functions, such as separating the art from the glass. Putting mats in a frame is called matting, a term ...
Thirty-six Views of Mount Fuji (Japanese: 富嶽三十六景, Hepburn: Fugaku Sanjūrokkei) is a series of landscape prints by the Japanese ukiyo-e artist Hokusai (1760–1849). The series depicts Mount Fuji from different locations and in various seasons and weather conditions. The immediate success of the publication led to another ten prints ...
Robert William Wood. Robert William Wood (March 4, 1889 – March 14, 1979) was an American landscape painter. [1] He was born in England, emigrated to the United States and rose to prominence in the 1950s with the sales of millions of his color reproductions. [2] He was active in the art colonies of San Antonio, Texas in the 1930s, [3 ...
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