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Early versions (The Filmo 70A and 70C) were designed for two or three speeds, either 8-16 frame/s, 16-32 frame/s, 12-16-24 frame/s or 16-24-32 frame/s. Starting with the Model D in 1927, most versions could shoot a range of speeds up to 64 frames per second (8-12-16-24-32-48-64 frame/s), although there was a superspeed version, the 70-B (1925 ...
This is a list of films with high frame rates. Only films with a native (without motion interpolation ) shooting and projection frame rate of 48 or higher, for all or some of its scenes , are included, as are films that received an official post-conversion using technologies such as TrueCut Motion.
Aspect ratio (image) The aspect ratio of an image is the ratio of its width to its height. It is expressed as two numbers separated by a colon, width:height. Common aspect ratios are 1.85:1 and 2.40:1 in cinematography, 4:3 and 16:9 in television, and 3:2 in still photography.
The variant called Super 16 mm, Super 16, or 16 mm Type W is an adaptation of the 1.66 (1.66:1 or 15:9) aspect ratio of the "Paramount format" [9] to 16 mm film. It was developed by Swedish cinematographer Rune Ericson in 1969, [ 10 ] using single-sprocket film and taking advantage of the extra room for an expanded picture area of 12.52 mm × 7 ...
Frame rate, most commonly expressed in frames per second or FPS, is typically the frequency (rate) at which consecutive images (frames) are captured or displayed. This definition applies to film and video cameras, computer animation, and motion capture systems. In these contexts, frame rate may be used interchangeably with frame frequency and ...
720p (720 lines progressive) is a progressive HD signal format with 720 horizontal lines/1280 columns and an aspect ratio (AR) of 16:9, normally known as widescreen HD (1.78:1). All major HD broadcasting standards (such as SMPTE 292M) include a 720p format, which has a resolution of 1280×720p. The number 720 stands for the 720 horizontal scan ...
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