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The Last Judgment. The Sistine Chapel ceiling (Italian: Soffitto della Cappella Sistina), painted in fresco by Michelangelo between 1508 and 1512, is a cornerstone work of High Renaissance art. The Sistine Chapel is the large papal chapel built within the Vatican between 1477 and 1480 by Pope Sixtus IV, for whom the chapel is named.
The Sistine Chapel ceiling, painted by Michelangelo between 1508 and 1512, is one of the most renowned artworks of the High Renaissance. Central to the ceiling decoration are nine scenes from the Book of Genesis of which The Creation of Adam is the best known, the hands of God and Adam being reproduced in countless imitations. The complex ...
The Sistine Chapel (/ ˈsɪstiːn / SIST-een; Latin: Sacellum Sixtinum; Italian: Cappella Sistina [kapˈpɛlla siˈstiːna]) is a chapel in the Apostolic Palace, the pope's official residence in Vatican City. Originally known as the Cappella Magna ('Great Chapel'), it takes its name from Pope Sixtus IV, who had it built between 1473 and 1481.
Sistine Chapel, Vatican City. The Creation of Adam (Italian: Creazione di Adamo), also known as The Creation of Man,[2]: plate 54 is a fresco painting by Italian artist Michelangelo, which forms part of the Sistine Chapel's ceiling, painted c. 1508 –1512. [3] It illustrates the Biblical creation narrative from the Book of Genesis in which God ...
The Creation of Adam, a detail of the fresco Sistine Chapel ceiling by Michelangelo. Fresco (pl.frescos or frescoes) is a technique of mural painting executed upon freshly laid ("wet") lime plaster. Water is used as the vehicle for the dry-powder pigment to merge with the plaster, and with the setting of the plaster, the painting becomes an ...
Renaissance figure Michelangelo may have depicted a woman suffering from breast cancer in a famous fresco of a biblical flood on the ceiling of the Sistine Chapel, according to researchers.. The ...
The ceiling before the restoration [c]. The preliminary experimentation for the modern restoration began in 1979. The restoration team comprised Gianluigi Colalucci, Maurizio Rossi, Piergiorgio Bonetti, and others, [6] who took as their guidelines the Rules for restoration of works of art as established in 1978 by Carlo Pietrangeli, director of the Vatican's Laboratory for the Restoration of ...
The Sistine Chapel ceiling by Michelangelo, "an artistic vision without precedent" Many argue that Julius was using art to further extend his own Papacy, as well as the role of Popes to come. Julius II’s Papacy is frequently criticized, for it is a common conception that he was keen for glory, which is reflective in his nickname, "The Warrior ...