Search results
Results from the WOW.Com Content Network
This Eugongylinae article is a stub. You can help Wikipedia by expanding it.
After being told by various people to "do Spider-Man, or to do Spawn and such," Watsuki got agitated and said "I'll throw in Venom also!," which he referred to as digging his own grave. The gold-mining clan backstory was added after the fact, but Yatsume still stuck out from the period.
The genus Cryptoblepharus was established in 1834 by the zoologist Arend Friedrich August Wiegmann.The type species of the genus was not nominated by the author, but this was assigned to Ablepharus poecilipleurus Wiegmann, 1834 in a revision by Leonhard Stejneger published in 1899.
He does not see Ichigo and his friends off when they leave the Soul Society. He tells Yachiru that he and Ichigo will certainly meet again because they are the only ones who are what they seem to be. Kenpachi also helps fight off the Bount invasion and successfully defeats Maki Ichinose, a former member of his own squad who left after Kenpachi ...
All player characters typically spawn at the start of a round, whereas some objects or mobs may spawn after the occurrence of a particular event or delay. When a player character respawns, they generally do so in an earlier point of the level and get some kind of penalty. [1] The term was coined by id Software within the context of its game, Doom.
Delicious in Dungeon (Japanese: ダンジョン飯, Hepburn: Danjon Meshi, lit. "Dungeon Meal") is a Japanese manga series written and illustrated by Ryoko Kui.It was serialized in Enterbrain's seinen manga magazine Harta from February 2014 to September 2023, with its chapters collected in 14 tankōbon volumes.
Kensuke Shinzaki (新崎 健介 Shinzaki Kensuke, born December 2, 1966) is a Japanese professional wrestler and professional wrestling executive, better known by his ring name, Jinsei Shinzaki (新崎 人生 Shinzaki Jinsei).
Renshi (連詩, renshi, "linked poetry") is a form of collaborative poetry pioneered by Makoto Ōoka in the 1980s. [1] [2] It is a development of traditional Japanese renga and renku, but unlike these it does not adhere to traditional strictures on length, rhythm, and diction.