Search results
Results from the WOW.Com Content Network
James M. Falkinburg was born in California on September 25, 1932. He grew up in a show business family; his grandparents were stage actors and his father was Sam Nelson, a silent movie actor (The Circus Kid) who later became a film director (Mandrake the Magician; Sagebrush Law) and assistant director (The Lady from Shanghai; Some Like It Hot).
Once the materials arrived at the stage, a dozen recordists and mix technicians required a half an hour to load the three or four dozen tracks a predub might require. In the digital era, 250 hours of stereo sound, edited and ready to mix, can be transported on a single 160 GB hard drive. As well, this 250 hours of material can be copied in four ...
This concept was abandoned by the end of 1889 and a system based on Anschütz's rotating disc Electrotachyscope was investigated for a short while. After Edison had visited Étienne-Jules Marey, further experiments concentrated on 3/4 inch strips, much like Marey was using in his chronophotography cameras at the time. [52]
The tape was 0.1 inches (2.5 mm) wide and 0.003 inches (0.076 mm) thick running at 5 feet per second (1.5 m/s) past the recording and reproducing heads. This meant that the length of tape required for a half-hour program was nearly 1.8 miles (2.9 km) and a full reel weighed 55 pounds (25 kg).
In total, 1,828 kilometres (5,997,000 ft) of film, representing 1110 hours, was edited down to the 11 hours and 26 minutes of the extended edition's running time. [70] The first film's editing was relatively easygoing, although after a screening to New Line they had to re-edit the beginning for a prologue.
A cartridge format for embedding and easy handling usual 3-inch-tape-reels with 1 ⁄ 4 inch tape, compatible to reel-to-reel audio recording in 3 + 3 ⁄ 4 ips. 1965 8-Track (Stereo-8) The inside of an 8-track cartridge Analog, 1 ⁄ 4 inch wide tape, 3 + 3 ⁄ 4 in/s, endless-loop cartridge DC-International cassette system
Audiography ("writing sound") within Indian-style filmmaking, is the audio engineering performed by the sound department of a film or TV production; this includes sound recording, editing, mixing and sound design (formerly sound effects laying) but excludes musical composition, songwriting and choreography.
Richard King is an American film sound designer and editor who has worked on over 70 films. A native of Tampa, Florida , he graduated from the University of South Florida with a BFA in painting and film. [ 1 ]