Search results
Results from the WOW.Com Content Network
Basso profondo (Italian: [ˈbasso proˈfondo], "deep bass"), sometimes basso profundo or contrabass, is the lowest bass voice type.. While The New Grove Dictionary of Opera defines a typical bass as having a range that extends downward to the second E below middle C (E 2), [1] operatic bassi profondi can be called on to sing low C (C 2), as in the role of Baron Ochs in Der Rosenkavalier.
The bass singing voice has a vocal range that lies around the second E below middle C to the E above middle C (i.e., E 2 –E 4). [1] As with the contralto singing voice being the rarest female voice type, the bass voice is the rarest for males, and has the lowest vocal range of all voice types. [2]
A technique most commonly used by bass singers in a cappella groups is to simulate an instrumental rhythm section, often alongside a vocal percussionist or beatboxer. Some notable vocal bass artists are Tim Foust, Adam Chance, Bobby McFerrin, Al Jarreau, Reggie Watts, Alvin Chea, Joe Santoni, Avi Kaplan, Matt Sallee, Chris Morey, Geoff Castellucci.
Geoff Berner, Canadian singer-songwriter on the accordion; Geoffrey Burgon, English composer; Geoff Castellucci, bass vocalist for the a cappella group VoicePlay; Geoff Downes, keyboard player with The Buggles, Yes and Asia; Geoff Emerick, recording studio audio engineer best known for his work with the Beatles; Geoffrey Gordon (composer ...
Nash and Boult subsequently decided to drop the Low name and form a new band, Dr Jolly's Salvation Circus. [4] Initially a four-piece, with Mick Anker on bass and Tony Kiley on drums, they recorded some demos with Adrian Bushby as the engineer. They later added Mitt Gamon on second guitar and harmonica, and Kiley was replaced by Paul Pridmore.
The low extreme for basses is generally C 2 (two Cs below middle C). Some extreme bass singers, referred to as basso profondos and oktavists, are able to reach much lower than this. Within opera, the lowest note in the standard bass repertoire is D 2, sung by the character Osmin in Mozart's Die Entführung aus dem Serail, but few roles fall ...
Tommy West – bass, percussion, piano, rhythm guitar, keyboards, electric piano, backing vocals; Harry Boyle – guitar on "Hey Tomorrow" Joe Macho – bass; Jim Ryan – bass on "Box #10" Gary Chester – drums; Ellie Greenwich, Tasha Thomas – backing vocals; Peter Dino – arrangements; Technical. Bruce Tergesen – recording and mixing ...
1964: Louis Neefs, Belgian singer, played and recorded the song live in Belgium. 1965: Lorne Greene version recorded in the album The Man . 1965: Tennessee Ernie Ford released another version of the song, "Sixteen Tons '65" (with largely the same lyrics as his first recording of the song, but with a substantially different musical arrangement ...